Apr 1, 2024

How much of a difference does Pixel Area make?

Last Update: 4th May 2024

Introduction.

My son said I may try his Sony ZV-E1 while he tried my Fuji XT-5. The Sony ZV-E1 uses the same FF 12MP BSI sensor as the Sony A7S III. A camera like this should be tested. I would have liked to include my Fuji XT-5. The test results are exciting and reveal much about what to expect from various cameras. For example, the Sony ZV-E1 pixel area is 5 times larger than the Olympus E-M1 III and almost 20 times larger than the Olympus XZ-2. How much do these pixel area differences impact the IQ of these cameras? What should we look for, and how will you test these cameras?

Sensor Sensitivity is an indicator of the sensor's Optical and Quantum efficiencies. That means larger pixel areas capture more light, right? The secret is to study shadow details because increasing sensor sensitivity means capturing more shadow information. What kind of shadow differences do you expect to find between the Sony ZV-E1 and an older Olympus XZ-2? While I am not testing for noise, what do you expect to see from these 2 cameras? Does the sensor's pixel control wiring add noise?




I included several Olympus cameras in this test. We learn much from the pixel area variances between these cameras. For example, the pixel area of the Olympus E-1 is three times larger than the EM1 III. It is sometimes easier to simulate sensor differences with your existing camera collection.

Preparing my Test Studio


I created a test "studio" with a 4EV exposure difference between the highs and lows and measured the brightest point to set the exposure with my camera's spot meter. That means each sensor's Saturation and SNR were 4 stops lower in the shadows. Study the photon-to-electron graph in this article to learn more about sensor saturation and SNR. Every digital photographer should know this graph...



Each camera's sensor is technically different. My knowledge of digital cameras helped me plan pixel area tests. For example, pixel area reveals more about sensor performance when comparing digital cameras. Sensor size (diagonal measurements) is an indicator of the sensor's optical characteristics. I created the chart below to illustrate the pixel area variances of the cameras I tested.

The chart lists pixel count in red. Why is it important to consider pixel count? Because pixel count determines the sensor's total pixel area. For example, go to the 12MP (FF) sensor on the horizontal axis and compare its pixel area to the 12MP (1/1.7") sensor on the vertical axis. You can compare all the sensor sizes in this chart with this technique. That means we are evaluating pixel area and not sensor size. For example, how much more detail should the Olympus E1 capture over the E-M1 III? Does the sensor's quantum and optical efficiencies influence these camera comparisons?



The only benefit of sensor size is commercial. It's technically meaningless and reveals nothing about the sensor's ability to capture more data. For example, it's better to focus on the sensor's diagonal measurements. The reason is the lens image circle has to cover the complete sensor. This explains the more light theory confusing so many FF enthusiasts or the equivalence factor when comparing the optical differences between M43, APC, and full-frame cameras. See the table below for more.



How should we study these controlled image quality tests consisting of different sensor sizes and pixel areas? Take a few moments to prepare yourself, select a few cameras (pixel areas), and write down what you like to learn from these tests. For example, how many more shadow details do you expect to see from the 12MP FF sensor over the smaller 1/1.7" sensor? Also, study the Fuji X-T5 or Medium Format 100MP sensor and explain why their shadow details are technically similar to the 20MP Olympus sensor. Why would one expect to see more noise from these two Fuji cameras..?


Olympus C-770UZ  (4MP) - ISO64, f3.2, 1/160 - OOC JPEG and not edited...


Let's study the different test images...

All the noise filters were off while taking 4 RAW files with each camera. The Olympus Enhanced RAW Files were converted in Workspace (No NR), and I used the Photoshop 2024 Raw Converter (No NR) for the rest. I brightened the shadows to reveal the captured details of each camera. All the cameras were optimized to deliver better detail and IQ. One typically expects less visible noise from a saturated sensor with higher SNR values. That said, these test images are all about detail...

The test images are best viewed on a large display. Click on the first image...

















I cropped the above samples. The goal is to assist readers in studying the details. I upped the shadows and prepped them for the web. I did no NR or color changes. These converted raw files give a good indication of the captured sensor data. Studying my reader's feedback, it's clear that each person sees the results differently. Knowledge and regular practice help photographers get good results from different cameras. I expected more IQ differences between 20 years and 20X pixel areas.

How does one explain the increased noise levels of the E1, E500, E-620, and EP3? One would typically expect less noise from fewer pixels with less control wiring. Older image sensors have more noise because their quantum and optical efficiencies are lower. That means a lower photon-to-electron conversion rate with older image sensors. This translates into losses and more noise...

How would you explain the increased noise levels of the Panasonic LX-10?
















What were my camera configurations? I used the 17mm f1.2 lens on my M43 cameras and the 50mm f2 macro lens on my 4/3rds DSLRs. The Canon 6D II had an EF 35mm f2.0 lens, and the Sony ZV-E1 had a 55mm f1.8 Zeiss lens. That means I used my tripod distance to the image to compensate for lower megapixel sensors and the different focal lengths. I used Manual Exposure with an Aperture of f3.5 or f4 on these cameras. I also used the 2s timer and +1EV ETTR on each camera.

I used the same white balance (marker) to convert the raw files.




Conclusion


You don't need an expert to tell you the Olympus XZ-2 and Sony ZV-E1 image results are very similar. For example, I couldn't find 20 times more image details for the Sony. That means the Olympus XZ-2's image details compare well with the Sony ZV-E1 and its 20 times larger pixel areas. The 20-year age difference between some cameras also didn't make a 20X difference. Finally, less than 100% pixel area differences seem insignificant. That means one can ignore the sensor sensitivity differences between M43 (Live MOS) and APC (Standard CMOS and BSI) sensors. What makes a real difference is knowledge, lens selections, and regularly using Workspace and one's Olympus camera.

I used the Olympus E-M1 II for years and the E-M1 III for eighteen months. This is an exceptional camera with excellent IQ, speed, and functionality. The most fascinating part about them is the 20MP Live MOS sensor. I would love to see the specs Olympus used to find this sensor 12 years ago.




What did we learn from this review? We simply can't trust those repeating the same size and capture phrases. The Sony ZV E1 is a top performer and delivers excellent image details and shadow data. We also saw that the Image Quality differences between cameras are way less than expected. Is this the reason why photographers are rediscovering older cameras and sensors? For example, the TruePic processors and 16MP sensors in the E-M1, E-PL9, E-M5 II, and E-M10 II/III are excellent. Photographers are better off evaluating costs, functionality, speed, application, and form factor.

The following 4 samples are the final edits with Workspace, Photoshop, and Photolab 6. I did them to help readers get a feel for the various edited versions of the above samples...


Olympus E-1 with 50mm f2.0 lens - ISO100, f4.0, 0.6 seconds (1EV ETTR) - Raw converted and edited in Photoshop.


Olympus E-1 with 50mm f2.0 lens - ISO100, f4.0, 0.6 seconds (1EV ETTR) - Enhanced Raw converted and edited in Workspace.


I used the standard NR filter on the above image. Workspace has an older NR filter for older cameras like the E-1. The E-410 and newer models have a different and more advanced NR filter...


Olympus EM1 III with 17mm f1.2 Pro lens - ISO100, f4.0, 1/2 seconds (1EV ETTR) - Raw converted and edited in Photoshop.


Those photographers who make a habit of improving their Enhanced Raw files and Image Editing skills enjoy an advantage. The benefits of improving one's knowledge and camera and editing skills are remarkable. I often write about the benefits of converting your Enhanced Raw Files with Workspace. Also, see this video reviewing the Enhanced Raw Format and Workspace.


Olympus EM1 III with 17mm f1.2 Pro lens - ISO100, f4.0, 1/2 seconds (1EV ETTR) - Raw converted and edited in Photolab 6.


Final observations. Study the "deeper" shadows between the above flowers to see the details from these cameras. The Canon 6D II revealed more shadow details than others. The last four edits are interesting. One can spend hours editing these raw files for different results. DxO PL-6 or 7 is a good solution for older Olympus raw files, especially if you prefer basic conversions and editing.

See this article where I comment on 12MP versus 100MP printed samples.

Also, see my Workspace firmware update page - link.

Best Siegfried

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