The Olympus label on the Pen EP-7 and OM-1 signifies the end of a rich history of innovation by the Olympus Engineering team. The new OM-System OM-1 II and OM-5 (EM-5 III) introduced a new era for these cameras. All said the similarities between the EP-7 and older E-P, E-PL, and Pen F cameras are striking. I like the elegance and look of the new Pen EP-7 with its 337 grams. The lack of an EVF and the plastic camera body also introduced a future of low-cost OM-System cameras. Good IQ and low pricing will be critical differentiators for OMS cameras like the EP-7, OM-5, and OM-1 II.
I purchased my EP-7 from OM-System in 2021. Following this short introduction, I planned to spend more time with my new EP-7. More than eighteen months passed, and it's time for an update. See my comments in RED. My E-P7 was part of a special deal with an Olympus 75mm f1.8 Zuiko lens. I had this lens and only kept the Pen EP-7 because it became my "always with me" camera.
My Olympus Pen E-P7 with the MZuiko 17mm f1.8 lens plus the older Olympus VF-1 Optical Viewfinder.
What is new, and how does the EP-7 compare to the Pen-F
I discovered the updated User Interface (UI) with its new AP menu as I studied the Pen EP-7. The new UI is available for the EM-10 III & IV, E-PL10, and EP-7. I briefly considered renaming the title to "A New Generation of Olympus Cameras" as I learned more about this new AP-style menu.
When will we see a new Pen-F II, and will it have these EP-7 upgrades, or did the EP-7 quietly replace the older Pen-F? Did Olympus (OM-System) refocus the Pen-F by removing its OMD functionality? For many, the Olympus Pen E-P7 could easily be a perfect day-to-day or "always with me" camera.
I used my E-P7 for +18 months, and it quickly became my favorite camera. Its fewer menu options are refreshing, the controls are reachable with one hand, and the AP menu is a blast. Most pleasing is its excellent image quality. The original Photography and Color concept from Olympus included CreativeColor and unique Computational features. Does the EP-7 signal a more simplified version of this concept. Should all OM-D cameras be that different from the Pen range in the future?
Source - Is this the future of the Olympus Pen Series?
As said, the new Pen EP-7 reminds me of the older Pen E-P cameras. Interestingly, the E-P1 and the EP-7 cameras are unique as they signify something new for Olympus and OM-System. For example, Olympus designed the EP-7, and OM-System launched it. Does the Pen E-P7 introduce a new design concept for OM-System? The future of the EP-7 relies on its commercial success. Like the Pen F, the new EP-7 came with a few surprises. The biggest is no EVF differentiating it from the Pen F.
Olympus experimented with more cost-effective body finishes in the past. The EM5 II was the first OMD with a cheap or painted camera finish. Many used EM5 II cameras look cheap today with rubbed-off body paint. This doesn't happen to the Olympus E-P7, EM1 II/III, or EM10 II. I saw the Olympus OM-1 has the same problem. Did OM-System improve the OM-1 II. For example, I have an Olympus EM5 II Platinum version in perfect condition. I decided to never place it in my camera bag...
The Pen E-P range was always the designer range of cameras like the above Pen E-P3 camera.
The Pen E-P2, 3, and 5 have the same auxiliary port for accessories like electronic viewfinders (EVF). The original E-P1 and the new Pen EP-7 do not have this port. The Pen EP-7 does have a tilt display like the previous Pen E-P5. The difference is the EP-7 display tilts downwards at 180 degrees. This is a feature Vloggers and Social Media presenters want. Is the E-P7 a typical Vlogger camera?
Pen E-P7 with the 17mm f1.8 lens - ISO200, f4.0, 1/400 - Monochrome in camera and Enhanced Raw edited in WS.
I didn't plan to discuss the benefits of an EVF and the E-P7. While it's a great feature, I don't need my EVF each time I use my Pen F. The main reason is mirrorless cameras are different from DSLRs, and modern camera displays are excellent. The biggest problem is bright or midday sunlight. I would have liked the same EVF option on the E-P7 as older Olympus mirrorless cameras like the E-P3...
The 25% of the time I benefit from having an EVF will also be a dealbreaker. Bright sunlight, Live View, and fine-tuning my creative settings are best done with an Electronic View Finder (EVF).
The old VF-1 from Olympus is an excellent OVF in combination with the 17mm f1.8 lens.
September 4th, 2023 update:- The POV Photo Guy, another YouTube reviewer, said the Pen E-P7's IQ and colors are exceptional in this review. I agree with him because my Pen-F and the E-P7 have excellent color and image quality. For example, See this short article about the EP-7.
The most exciting part of Workspace is reviewing and tweaking your camera settings and the ability to produce Olympus image quality and colors with Workspace. For example, Workspace does not change your OM-D's professional or the Pen-F or E-P7's creative image look. Olympus photographers can now get Olympus image quality and colors from their home PCs and Workspace. For example, raw images from older compact cameras like the XZ-2 or the Olympus E-620 DSLR are the same as the camera when converted with Workspace. The exported 16-bit tiff files from Workspace also provide cleaner and better image data to Photoshop when editing your images.
The Pen-F's Color and Monochrome Profile functions were added to the new E-P7. You will also see functions like the Color Creator, Highlights & Shadows, ART filters, and many more in the E-P7. The Pen E-P7 makes one wonder if OMDS targeted the E-P series for its simplicity and elegance?
The implementation of the E-P7 Color and Chrome functions is unique. Many photographers battled with the Pen-f when using it irregularly. The E-P7 is more user-friendly with its new Color/Mono lever, updated UI, and new AP Menu. My favorite applications with the E-P7 are Monochrome and Color profiles. I never created monochrome profiles because the Pen F and E-P7 give us excellent control while photographing. One can always fine-tune your monochrome settings in WS.
Pen E-P7 with the 17mm f1.8 lens - ISO200, f4.0, 1/640 - Monochrome in camera and Enhanced Raw edited in WS.
It's good that OMDS decided to continue with the Enhanced Raw Format and the benefits of Live View in WorkSpace. The difference Workspace makes is significant. All OMS photographers should be able to view honest social media discussions and enjoy a fair chance to experience Workspace.
The E-P7 is compatible with my Pen-F color and monochrome profiles. I created a few color profiles for the Pen F. They are fully compatible with the new E-P7 and other Olympus cameras.
Do we learn anything new about future OMDS cameras from the E-P7? We are lucky because we now have the OM-5 and the OM-1. You can also find my OM-1 MKI/II comments on this blog. Below is an updated list of what these cameras teach us about future OM-System cameras:-
The Pen E-P range is a designer or elegant street and creative camera...
The OMD E-M10 series for the enthusiast and entry-level OMD photographer
The OMD OM-5 series for the demanding outdoor and hiking photographer
The NEW OM-1 series for the serious hobby and professional photographer
The OMD OM-1X - based on the EM1X popularity, will there be an OM1X?
What do you think the next OMD will be like?Well, we have the new OM-1. We saw the IQ benefits of the new stacked BSI sensor in my OM-1 review. We also know the 20MP Live MOS sensor performs well in the EM1 II & III and cameras like the new E-P7 and the Pen-F. It would be interesting to see if OM-System re-uses the new BSI sensor like Olympus did with its previous sensors.
There is simply NOTHING like the Pen F on the market today...
Does the E-P7 have a similar 20MP Live MOS sensor as the Pen-F? It doesn't seem like the same sensor because the E-P7's continuous autofocus capability is better in video mode. The E-P7 has the same TruePic VIII processor as the EM1 II, EM5 III, and the OMD EM10 III & IV.
For more about the TruePic VIII Image Processor in the E-P7, see the E-PL10 description at OM-System and how the TruePic VIII prevents image noise. The Pen F, the EM5 II, and the EM10 II all use the previous Truepic VII image processor.
Consider the complete offer when searching for a new camera. Image Processors are part of having better cameras with higher image quality. The 4 most important aspects to consider when searching for a new or secondhand Olympus are:
The camera - Truepic image processor version and firmware upgrade history
The image sensor - study the camera launch papers to see what they improved
The type of photography and which of the Premium or Pro lenses you need
Workspace - this is the most neglected and most critical Olympus editing option
A good example is the different EM10 models. Considering the EM10 MKII or MKIII, which is more relevant for 2024. The EM10 II is known for being an excellent camera, while the EM10 III updates offer more in terms of 4K, better AF, the new AP menu, and the newer Truepix III processor.
The Olympus Pen E-P7 with the 75mm f1.8 lens. The 75mm lens makes for a fantastic combo with good image quality...
I knew the E-P7 would produce excellent image quality. Each time I use one of my OMDs or go back to the Pen-F, I am surprised by the image quality of these Pen cameras. The obvious question is, did the new Pen E-P7 follow in these footsteps, or will we see a more neutral or Pro-like image quality from the E-P7? What is your preference?
I am happy to report that the Pen EP-7 became my favorite "always with me" camera. It is quick and responsive, the VF-1 optical viewfinder is a joy with 17mm lenses, and the image quality from the Pen E-P7 is the best I have seen from any of the Olympus Pen cameras. It is also a fun camera when walking or doing street photography.The new E-P7 is simply an exceptional camera.
The Olympus R&D engineers simplified the E-P7 menu. The simplicity of the E-P7 menu is excellent, especially when you need to find or adjust a function. The new SCP and AP menus improved the E-P7 user experience and operation. Folks, the new E-P7 is a very different mirrorless camera...
Olympus E-P7 with 75mm f1.8 lens - ISO250, f2.0, 1/160 - Enhanced Raw Edited in WS.
I can only recommend the new ART filters and SCN modes of the E-P7. The ability to tweak your ART filters is a game changer, and new SCN modes like the HDR option are excellent. My first reaction was disappointment when I opened the "mini" menu of the Pen E-P7. The E-P7's secret is its new AP user interface, ART filters, SCN modes, Color Creator, and color and monochrome profiles.
The E-P7 partners well with the Enhanced Raw Format and Workspace. I have been enjoying great results with the previous and the most recent versions of Workspace. See my Workspace firmware updates. Workspace is currently the best raw converter for your Enhanced Raw Files, and Photoshop is the best editing option for editing your exported Workspace 16-bit tiff files.
It was clear that the Pen E-P7 is compatible with my Pen-F color and monochrome profiles after trying them with my Pen E-P7 and the E-P7 enhanced raw files. Study this article for more information about the Enhanced Raw Format and Workspace. The image above shows the new "Color" slider for ART filters. The color slider is available for both the E-P7 and Workspace. The video below explains how to use Workspace and the Enhanced Raw Format to replicate the camera's image signal path.
It's now possible to change the effect or how much the ART filter changes the image. This makes the E-P7 a more exciting option for ART filters. One of the most powerful aspects of the new Pen E-P7 is the ability to replicate and tweak your camera settings in WS. Olympus is the only manufacturer with this level of Enhanced Raw control of the camera's ART Processor and Workspace.
I tweaked the E-P7 Instant Film ART filter in Photoshop. See a description of the technique below...
I use a similar technique as the new ART filter slider to tweak my ART filters in Photoshop. I start by converting two copies of the raw file in WS, one with the ART filter and another in the iEnhanced Picture Mode. I will open both in Photoshop layers with the ART filter image on top of the iEnhance image. I then use the Opacity Slider in layers to adjust the final ART effect.
Pen E-P7 with the 17mm f1.8 lens - ISO200, f4.0, 1/640 - Monochrome in camera and Enhanced Raw edited in WS.
I enjoyed my E-P7 enough to keep it after having it for more than one year. Things like not having an EVF are frustrating. If this puts you off, then the E-P7 is not a camera for you.
Let's compare a few interesting E-P7 differences to the Pen-F:- (Updated)
The E-P7 has 4K with 120fps @ 720p and the Pen-F, 1080p and 120fps @ SD
The E-P7 video format is M-PEG, and it has no ALL-I or MOV like the Pen-F
The E-P7 body is plastic and light, and IBIS is half a stop slower than the Pen-F
The maximum sequential shutter speed for the E-P7 is slower than the Pen-F
The Pen-F High-Resolution mode was not transferred to the new Pen E-P7
The 4 Custom Modes on the Pen-F Mode Dial are not on the E-P7 (Use the SCP)
To simplify the E-P7, much of the Pen-F external controls were removed
The exposure comp dial on the Pen-F is not on the E-P7 - it's like the OMDs
This simplification (No Creative Dial but UI) makes for a new E-P7 experience
A new Instant Film ART filter was added, while the filter options UI is better
The opacity of some of the ART filters is now adjustable - this is a good option!
The Pen-F built-in EVF (with OVF) is not available with the new E-P7...
Can now charge the battery via USB. We older guys simply use 2 batteries
The Pen E-P7 user manual has been reworked and is easier to read/study...
New AP Button activating the "creative" menus (AP, SCN, Live Guide...)
The E-P7 new B-Mode - long exposures and light blending - user experience!
OMDS added new SCN Modes to the E-P7 - it's part of the user experience!
The panorama mode on the E-P7 also changed/improved, which is interesting.
The filter/profile effects in movie mode are improved - need to be explored...
The focus is everyday photography. It's small enough to always be with you...
I tried the 1st iteration of the "new user experience" or AP menu on my wife's EM10 III. I prefer the familiarity of my EM1 II and Pen-F. I can see the value of having a more "user-friendly interface." A simple example is selecting Live Bulb and Live Comp on the Pen-F. Many would say it's logical to turn the shutter dial to "B." While this is normal for older photographers, it might not be for young photographers. See the EM5 III implementation of the new user interface.
Little more than one year and my opinion changed. The new UI is simple, effective, and great to work with as you get to know it. This new UI interface is a great selling point for the E-P7...
Olympus Pen-F with the 8-18mm f4.0 lens - ISO200, f6.3, 1/1000 (Raw file converted in PhotoLab 4 & edited in PS)
Why do I regard the Pen-F as a more hands-on camera than the E-P7? The Pen-F and the photographer are like a team. Every dial and knob are intuitively placed and easy to reach as the photographer selects the image angle, framing, and final tweaks of the image look or enhanced raw file. The focus is photography and not the camera. The EVF placement, touch focus, exposure compensation dial, and creative dial are active parts of photographing creatively. Photographing with the Pen-F is a continuous process of tweaking and evaluating until one releases the shutter. For example, one of the most underestimated features of the Pen F is its features and the optional handgrip...
This is the Olympus version of the above image when the Enhanced Raw Files are converted in WS.
The new Pen E-P7 is more like the previous Pen E-PL10 series and not the Pen-F. The new UI and the touchscreen were implemented to target a specific segment and user profile. One can also see how Olympus preferred the simplicity of the older Pen E-PL cameras. Did they add the Pen-F profile functionality to the EP-7 because the target segment wanted this functionality?
I did change my mind after one year with the E-P7. My previous description of the Pen-F is correct because it has the minimum creativity every camera should have. What makes the E-P7 more like the Pen-F is its two control dials. The E-P7 feels like an OMD or the Pen-F in the hand. I need my left hand to switch on the Pen F. With the E-P7, everything is controlled with one hand...
The new Pen E-P7 is perfect for short video clips...
Short E-P7 with 12-50mm EZ lens video was edited in iMovie. I also added its music.
While I am not an experienced videographer, these 2 videos were interesting. You will see the video quality of the 1st clip could be better. I checked all my original clips, hoping the problem was Google or the video editing software. Looks like the problem is me and not the equipment I used...😀
I also experimented with different recording formats, lenses, exposures, and Variable ND filters. My results continue to improve at 1080p and 4K. The E-P7 was obviously not designed to compete with cameras like the GH5. The Pen E-P7 should be on your list of possible cameras if you are searching for a new "compact" style camera. The more I use the E-P7, the better it gets... 😊
The video I did in iMovie is better.
I did more tests with good colors and detail in 1080p and 4K. The secret is to free up the Image Processor. The best way of freeing up the image processor is to select fewer adjustments in the camera. I used the following settings to record my video clips:
1080p, Super Fine (bitrate), 25 bps, and MOV (auto-selected)
My Picture Mode was set to Natural (to free up the processor)
I used Exposure Mode S or Shutter Priority (not Movie Mode)
The camera uses C-AF in video mode - Use all the focus points
The ISO Auto range is 200 - 3200 with No Exposure Shift
Tone Curves Function was set to +1 (highs) and -1 (lows)
Shutter Speed was set to 1/50th and ISO to Auto
I never adjust any of the other variables like sharpness
I used the 12-45mm f4 Pro lens with a Variable ND filter
The type of memory card is critical. I use a V30-rated SD card.
Olympus E-P7 with the 12-50mm EZ Lens.
Does everyone need 4K, or is 1080p good enough? It sounds good if 4K records 4 times as many pixels as standard HD (1080p). The reason I prefer 1080p is recorded data and quality. For example, a good balance between data and video quality is 1080p @ 25fps. Any increase like 1080p @ 50fps or 4K means more data and processing power. The requirements for recording good video quality are similar to taking photos. Regular practice and appropriate camera settings and lenses are essential.
One of the E-P7 improvements is its CAF performance. I couldn't find much info about the autofocus algorithm, except for noticing an improvement in the E-P7's continuous autofocus performance. It also performs differently from my older Pen F and the EM-5 II cameras. OM-System only mentioned better Face Detection and an improved Contrast Detect AF algorithm for the E-P7.
The new AP Menu and design of the Pen E-P7
The image below shows the similarities between the new E-P7 and other Pen models. The thought that we will not have a Pen-F II is disappointing. Is the Pen F too old to rebrand it as an OM-System Pen F II? Did OM-System decide to move on, knowing that M43 photographers rejected the Pen F? We also saw the launch of a new Fuji X100VI supporting Fuji's interest in this niche market?
I often asked myself, what if photographers were a little more adventurous and accepted the Pen-F? Will this "failed" Pen-F experiment be the final push of the creative ART and color boundaries?
One of the differences between the E-P7 and the older Pen F is functionality. Most M43 photographers felt intimidated by the Pen-F's creative dial and function lever. OMDS improved the EP-7's creative modes significantly. The creative dial was replaced with a lever, and the new AP menu replaced the Pen-F's function lever. Olympus also cleaned up the creative menus of the E-P7.
It takes a little getting used to, but it was fun once I familiarized myself with the new menu system. The main strength of the Pen E-P7 is the new UI and the E-P7's one-hand operation. Everything can be done with one hand. The knobs and dials are all within easy reach and logically placed.
My articles about color and the Olympus Pen F are as popular as when I first wrote them. The E-P7 is a great addition to the Pen Range because it is the same as what made the Pen-F so special. The longer you use the E-P7, the more you realize it's an exciting new creative solution...
OM-System also launched a new version of the OI Share Application. I tried the new App with the EP-7, and they work well together. The remote control function seems better, especially with LiveComp and Live-Time. Image editing is better with the App and now has Dehaze and Clarity like Workspace. The similarities between the IO Share Application and Workspace are interesting. I also liked the updated options for sharing images on the web. OM-System, why not give us more image ratios like the 5:4 ratio in the camera? You will learn more about the new OI. Share here.
The E-P7 with Color Profiles and Workspace
Below is an example of a Color Profile I did for the Pen-F. This profile is unique because it was designed to edit or prepare the image in the camera. This profile can also be used to color-grade videos while recording your clips. This is now also possible with the Pen E-P7. (I tried it on with my E-P7) See this Page Menu for more on this "1020" color profile...
Olympus Pen-F with 11-year-old 8-18mm f4.0 lens - ISO200, f6.3, 1/1000 (Raw file converted & edited in Photoshop).
This is the Olympus version of the above image when the Enhanced Raw Files are converted in Workspace.
Conclusion
My original idea was a detailed comparison between the Pen-F and the E-P7, but after studying the E-P7, it was clear these are two very different cameras. The Pen-F will always be the first creative camera with a special connection to Pro OMD cameras. The more simplified E-P7 is a more basic version of the Pen-F. The good news is the Pen E-P series continues with the creative flair of the Pen F. Interestingly, the Pen-F popularity continues to increase each month...
We also saw something encouraging from OMDS. They are pushing the complete Zuiko lens offer. Lenses like Basic Zuiko and Premium Zuiko lenses enjoy the same visibility as the Zuiko Pro range. For example, see the EM5 III or the E-M10 IV page if you can find it on OM-System's website. This is good news because Premium Zuiko lenses, like the f1.8 compact range, are fantastic.
Three images were taken with the E-P7 and one with the EM-1 III, which is the EM1?
I saw no major surprises with the new E-P7. It's basically a good and well-balanced camera. Though very different from the Pen-F, we now have 4 color and 4 monochrome profiles in the E-P7. That said, I find it easier to do color or monochrome settings on the go and to only tweak them in Workspace.
It will be a sad mistake if Olympus photographers underestimate the Pen E-P7 as they did with the Pen-F. For example, one can expect a new EM10 IV or a Pen E-P7 II because we now have a clear cut between OMD and Pen E-P cameras. We did get the EM10 IV..!
The road to the perfect camera and the perfect image
Here is my list of top M43 secondhand cameras and lenses...
My thoughts on lens diffraction, and why the fear for F8.0
Conclusion
1. Introduction
Photographers that buy secondhand cameras also discover some of the best cameras from yesterday. I have been using secondhand cameras for years and will never forget when the GH4 was costing $2K brand new. Then only a few months into the GH5 and I was able to get one for a mere $650. Secondhand cameras also cost much less the older they get. For example, I recently saw an Olympus E-620 with the 14-54mm f2.8-3.5 PRO lens selling for only $150.
You will also find that photographers using older cameras are more interested in the creative aspects and not the specifications of older cameras. They will look for unique sensor types like CCD or CMOS sensors, the image look or "color science", the handling of the camera, how well the images edit, or the general reputation of the camera.
Olympus E3 with 50-200mm f2.8-3.5 - ISO160, 1/5000, f3.5 (Raw file edited in PhotLab 4, PS, and Luminar 4)
2. The main differences between old and new cameras?
Spending time on another article, I tested several older cameras with the oldest nearly 20 years old. Cameras like the Canon PowerShot G5, the Konica Minolta A2, the Olympus E-330, and the first EM5, literally made me think, what an interesting historical journey.
Then as I was looking at a video of two guys discussing the new GH5 II, one of them explained why photographers now need a new 4K with HDR television, or the latest high-resolution computer displays to enjoy the full benefits of the GH5 II new 10 bit 4:2:0 video format.
They then talked about the "digital look" people are complaining about when viewing 4K 60p on a "normal" PC or 1080p television. The contrast of jumping from a familiar 24p cinema look to the new 60p "gaming" look is something the human eye needs to get used to they explained...
Olympus EM1 with 12-50mm EZ f3.5-6.3 - ISO200, 1/200, f11 (Jpeg out the camera NOT edited)
Photographers using older cameras develop a "unique" photography style by adopting a more relaxed pace. For example, when you are out on a photo walk with something like the Minolta A2, you really rely on this "new" photography style. The positive is the more you do this the more relaxed you are...
Taking my own experience, here are some of the things I keep in mind:
Older cameras use slower operating speeds, screen updates, and time to save files
The UI technology is old, EVFs are poor with low resolution, and horrible displays
The image sensors are old with lower resolution, and some have more image noise
Some have really interesting features but everything is slow and they need patients
The batteries on many of these older cameras are not good and expensive to replace
The memory cards and card slots on some of these older cameras are extremely slow
And finally, some like the GH4 or the EM1 II are super modern, fast, and advanced
The good news is, as we master the image sensor, the histogram, applying ETTR, or optimizing exposure, cameras like the A2 or the C-8080 are really a joy to many photographers...
Olympus E3 with 50-200mm f2.8-3.5 - ISO 160, 1/500, f3.5 (Raw edited with Photlab 4 and Photoshop)
If you look at cameras like the Panasonic LX7 or the Canon S120, you will see the S120 is in a completely different league in terms of user experience. The S120 is quick, the UI is modern, and it has a modern sensor and image processing. The problem is the S120 is way too small.
The LX7 on the other hand is not a bad photographic tool, it is just older. In some respects, it's probably the better choice. It's more flexible than the S120, uses a modern CMOS architecture, can accept an EVF, and is fitted with a fantastic and fast Leica lens.
The bottom line is when you evaluate older cameras everything changes. I was testing an older gimbal and had my Panasonic GH4 on it. I know most forum experts will say the GH4 has no IBIS or the contrast-detect CAF is just not good enough.
But not planning for people running in and out of the frame, I was surprised to see how responsive the GH4 autofocus really is and the beautiful cinematic 4K look one gets with the GH4. The gimbal also helped to boost the cinematic output of the GH4 and it literally made my older GH4 shine again. Interesting, no matter how hard I tried in the past, I never managed to sell my GH4...
Olympus EP3 with 12mm f2.0 Lens - ISO200, 1/800, f7.1 (Raw edited with WorkSpace)
I bought two secondhand gimbals in 2020, the Feiyutech G6 Plus which you see below, and a Pilotfly. My wife uses the G6 with her EM10 III. The Pilotfly did not work well and we gave it away. This week I found another gimbal in great condition and bought it for $10.
As promised, I will be talking more about videos in the future. It is important that you ask yourself, what types of videos you like to create with your Olympus. If you are interested in family videos, wildlife, nature, or maybe a basic documentary then a small setup like this is the answer.
Olympus E3 with 50-200mm f2.8-3.5 - ISO160, 1/200, f3.5 (Raw edited with PhotoLab 4)
3. The road to your perfect camera or the perfect image...
The focus on specifications has become a challenge for many photographers. Without getting into many details, I thought a simple illustration will do...
Photographers with secondhand cameras generally freed themselves from the hype and the media programming. When you are on a journey learning everything about an older camera like the Nikon D700, then it doesn't matter if the pixel definition can't compete with the latest Sony's...
Guess what 2001 camera he use?
This is interesting because breaking from always having the best electronic gadgets does result in having more freedom. It is exactly this freedom that makes discovering older cameras so much fun. No matter what camera you have, the perspective discussed in the video below explains why the only thing standing between the camera and that next winning image, is the photographer.
These 5 Tips are so appropriate to this part of the discussion...
For example, the really "ancient" Olympus E-M10 II is probably one of the most exciting secondhand cameras up for sale. I honestly cannot imagine what the Olympus engineers were thinking when they finalized the specifications on this camera. The EM10 II often feels more like a baby EM5 MKII than a follow-up to the original Olympus E-M10. Even more surprising is how little they cost today...
Talking about having too much emphasis on specification, when Olympus introduced the EM5 III with its new composite materials, people immediately complained. This was also not the first time a manufacturer used composite materials to build a camera. Believe me, you really appreciate the reduced weight once you spend time with something like the EM5 III on a gimbal...
4. Here are my list of top secondhand M43 cameras and lenses
The secondhand supply chain has become a completely new way of sourcing M43 equipment. It also made it possible to substitute the "disappearing" entry-level with great cameras future professional photographers can grow with.
Thinking of the secondhand supply chain, if you had a choice between a new EM10 MKIV or an older and secondhand EM1 MKII selling at a lower price, which one would you choose?
Olympus E3 with 14-54mm f2.8-3.5 - ISO160, 1/120, f9.0
My selection criteria for the next part of the discussion are these different points:
Size - the focus is on M43 solutions offering the full-size benefit of the M43 format
Those camera/lens combinations offering +98% image quality using Zuiko lenses
High-quality M43 cameras and lenses typically sell at good secondhand prices
The reputation of cameras with special or unique functions & available features
Olympus E3 with 50-200mm, f2.8-3.5 - ISO350, 1/250, f3.5 (Raw edited with PS)
The "best" entry-level M43 cameras with a lens below $120
When you consider the $120 price point, the Olympus EP3 immediately jumps to mind. All M43 kit lenses were also great lenses and seen in package deals on entry-level cameras.
The EP3 quality build and unique firmware make for an interesting listing below:-
The Olympus Pen EP3 is a beautifully designed camera
The EP3 offers all the advantages of the new M43 design
The EP3 has all the Olympus ASAT and iEnhance features
The EP3 has a good high ISO capability (up to ISO1600)
The EP3 offers FAST AF (The fasted AF when launched)
The EP3 has a Touch Screen with new/advanced features
Olympus unique Fine Detail Processing (the 1st Version)
IBIS with movie mode (The EP3 is great to start with video)
The EP3 has several new and improved movie functions
SCN Modes, ART filters, and several other creative modes
The EP3 has a unique multi-function port (not in newer models)
The EP3 has the ability to accept a separate EVF module
The 2 step exposure technique and ETTR work well with the EP3
It does not have Live Composite, Live Time, Curves, or Color Creator
The EP3 has the interesting Olympus Monochrome settings
The EP1/2/3 are known for the Legendary Oly Colors and IQ
The Olympus Pen E-P3
There are several other interesting M43 cameras at this price point, like the E-PL5 (16MP) with a kit lens below $100. The OMD EM10 is a 16MP entry-level OMD and another best-ever from Olympus. The original EM10 has outstanding image quality. They sell in mint condition for less than $100.
The "best" entry-level M43 cameras below $200
In the $200 price range, you will find many M43 cameras like the EM10 II, and Panasonic cameras like the G3, G6, G7, or the GH2/3. My favorite OMD in this price range is the EM10 II. They are often available with the 14-42mm EZ lens in this price range. The EM10 II is a big jump up from the EP3 in terms of functionality, features, and performance. If you upgrade from the EP3, keep your 14-42mm kit lens and use it with the EM10 II.
Olympus E3 with 50-200mm, f2.8-3.5 - ISO160, 1/1250, f3.5 (Raw edited with PhotoLab 3 and PS)
Here are a few unique EM10 II features:-
The EM10 MKII has 90% of the OMD range unique features
An improved 16MP sensor with great image and video capability
The memory card slot is SDXC and UHS-II compatible (good for video)
The EM10 II has almost all the video functions available in the EM5 II
The EM10 II has the Super Fine option for video, producing great quality
The EM10 II has an improved 5-axis IBIS and is also available in video mode
The EM10 II offers 4K timelapse, Live Composite, Curves, Color Creator
The ART filters and scene modes have been upgraded with more options
The EM10 MKII is 97% of the EM5 MKII without splash/dust sealing
The EM10 II works well with the 2 step exposure technique and ETTR
The EM10 II will grow with photographers to advanced levels of photography. In fact, it's a good idea to have two of them and to keep one as a spare or use them in multi-camera set-ups, especially as and when your video skills improve. It's possible to build advanced 3 camera "video" setups with the EM10 II and have money in the bank...
The Olympus EM10 MKII
One of the stronger selling points most Olympus photographers appreciate is the scalability of OMD cameras. Most of the OMD cameras have the option to fit an add-On Grip, battery grip, or a combination of the two. This ability to transform something like the EM10 II from a pocketable to a sturdy workhorse makes it more comfortable when using bigger lenses.
The "best" M43 secondhand cameras below $400
As I have been searching for information on the GH4, I have been listening to videos talking about the GH4. My journey to find talented creators still using the GH4 was inspiring to say the least. Who would have thought any digital camera this "old" continues to be an amazing creative tool.
I have been tracking GH4 prices for approximately 3 years, and the going rate is now well below $400. This week I saw one listed with a shutter count of less than 500 in mint condition. The starting price was listed at $350 and it sold for $420.
Panasonic Lumix GH4 Hybrid Camera
Here are a few of the unique GH4 features:-
The GH4 is a truly hybrid mirrorless camera with great video and image features
The GH4 has been that camera starting many professional videography careers
There are good DJI gimbals available at good prices and they perfect for the GH4
There is a huge secondhand supply of GH4 options and peripherals at great prices
The web is packed with great information, advice, and training on the GH4
The GH4 still offers many more advanced video functions than most new cameras
The GH4 is an excellent hybrid with the 12-35mm & 35-100mm f2.8 combo
You can add the V-LOG profile for $100 including many more options on the web
The GH4 is the perfect camera to learn and master both Photoshop & Final Cut
The GH4 is the only +6-year-old camera with so many advanced video functions
You will find any information you can ever think of about the GH4 on the web
Believe it or not, the GH4 will output 10Bit 4:2:2 to an external recorder...
The GH4 has several advanced motion options that are great for learning video...
It's a pleasure to listen to someone with experience and good commonsense
The best M43 secondhand cameras below $650
The Olympus EM5 II, EM1 II, and the Panasonic G9
As you can see at this price point the possibilities are unlimited. The above image shows the EM5 II, the EM1 II, and the Panasonic G9. These and many others like them are available at and below this price point. Yes, you should ask the seller questions and if possible collect the camera or ask a friend to do it for you. My personal experience in the Swiss market is very positive and I have never been disappointed. I realized this is probably not the case in all Countries.
I have seen the EM5 II prices are lower in 2021 and they now selling for less than $350. The one thing you need to carefully inspect on EM5 II cameras is the condition of the paintwork. This is the only OM-D that I am aware of with this problem. The paint rubs off with normal wear and tear and looks terrible when they are older. If you care about the visual "condition" of your camera, then ask before you make any final offer on a secondhand E-M5 II.
A mild sample of "normal" EM5 II wear and tear...
Let's discuss some top M43 lenses and great secondhand deals
My top 3 Olympus compact lenses
The 3 compacts below were my first serious upgrade. I read so many negative slurs about these amazing lenses and best of all, they never disappointed me. I seldom buy new gear as I always look for 2nd hand package deals. I then sell the parts I don't need to help fund the ones I really want. Through the years I had several of these compacts and I always tried them before selling them again. I never found a bad copy or one that underperformed.
These 3 lenses typically sell between $130 and $160 each and have:-
The 45mm f1.8 is an excellent portrait lens. Although interesting, it's best for portraits.
The 50mm f1.8 is an interesting "nifty fifty" lens. Good for movies and photography.
The 17mm f1.8 lens is a good multi-purpose lens. It's small, lightweight w good glass
The Olympus ZUIKO 25mm f1.8, the 17mm f1.8, and the 45mm f1.8 lenses
Depending on your budget and your personal needs, here are 3 more great compacts:
The Olympus 75mm f1.8 - is probably one of the best Olympus compact lenses
The Olympus 12mm f2.0 - is a fantastic wide-angle for video and landscapes
Leica 25mm f1.4 - it offers half a stop, cost, and weight benefit over f1.2 lenses
While the f1.8 lenses are great for most types of photography, they are excellent at low-light with their fast f1.8 apertures. Being fixed focal lengths, the image quality generally equals or beats most zoom lenses, especially something like the 75mm f1.8 lens. Next time you are in the city at night, try the 17mm or the 12mm f2.0 lens. The 12mm is a truly amazing lens and one of my preferred lenses.
What about Olympus lenses and lens diffraction?
It took Olympus and Panasonic years to develop a good reputation with the ZUIKO and Lumix brands. As you know, Panasonic even worked with Leica to build a strong Lumix brand. We see that Zuiko, Leica, and Lumix are all good and reputable brands today. It's difficult to think they would now risk having a bad reputation, poor lens designs, or abnormal lens diffraction issues?
Olympus E3 with 50mm f2.0 Lens - Raw edited in PhotoLab 4 and prepped for the web in PS
While full-frame advocates are generally correct about creamy backgrounds or isolating subjects, they do not always give the full story. You have to ask yourself, what's the equivalent benefit for crop sensors photographers? The solution is to simply consider the opposite of what they claim. In this example, the opposite to creamy backgrounds are sharp images or landscapes.
Why would they like M43 photographers to believe that lens diffraction is an issue at F5.6 and not the generally accepted F8.0 to F11? The answer is found in the equivalence arguments they always use. For example, the equivalent of F8.0 on M43 cameras is F16 on full-frame cameras. This simply means full-frame advocates will see lens diffraction when M43 photographers use F8.0. They simply protect themselves while suppressing M43 photographers. See this article.
Also, see this example of an M43 photographer testing the lens diffraction rumor. It's a great example of taking a more critical approach and not accepting everything full-frame advocates promote...
Source - (Using "Expert" opinions is marketing 101)
The above example demonstrates how the reviewer wants you to believe lens diffraction has nothing to do with lens design and that it's simply linked to "equivalence". This is while M43 photographers NEVER asked about, or experienced any serious issues with lens diffraction.
With examples like this, some would call it deliberately spreading false information. That said, constant repetition and sadly many M43 photographers believed the misinformation, and some are today either repeating the rumor themselves or really afraid of using M43 apertures above F5.6.
The Multi-Purpose 12-50mm, f3.5-6.3 EZ selling for less than $120
I like to introduce one of the most interesting secondhand Olympus kit lenses. When Olympus introduced this kit lens (yes kit lens), it took forums a little while to figure it out and when they did, panic and fear broke loose as this lens received so much negative criticism that today it's one of the most underrated M43 lenses ever. Makes you think of the Pen F...
Sadly I was also distracted by the massive forum and product review negative storm and I completely neglected mine for years. I kept mine and recently decided to take it out again. All I can say is, that the 12-50mm is an amazing lens and worth every penny on the secondhand market...
Here are a few additional comments about the 12-50mm lens:-
The lens has a 12-50mm (24-100mm FF equivalent) zoom range
It's great for landscape photography, portraits, and medium telephoto
This is a great lens for video projects with its electrical zoom control
It includes the Olympus MSC (Movie & Still Compatible) technology
It comes with a new linear motor resulting in fast & quiet zoom motion
It offers different electrical zoom speeds to create video simulations
To make it an even more interesting "kit" lens, its dust & splash-proof
In macro mode, it will focus as close as 20mm with 0.72x magnification
Add a multiplier to the front and you ready for a great macro experience
This lens is sharp from 12 to 50mm, f3.5 and up, and corner to corner
The only downside is the lens is relatively slow and requires good light
This is the only kit lens with absolutely TOP quality glass elements
This is a clear illustration of why Olympus became that amazing brand
The really interesting 40-150mm (80-300mm) zoom lens
Olympus 40-150mm f4-5.6 lens
This is probably one of the best secondhand giveaways if you manage to find one. They sell for less than $50 most of the time. If you need a faster zoom on a budget, you could try the older Four Thirds 50-200mm f2.8 - f3.5 or the 40-150mm f3.5-4.5. You need an adapter for these two lenses but that's OK if you think what you get with these lenses.
My son is a Pro Photographer. I had absolutely nothing to do with that...
I purposely presented the secondhand cameras and lenses this way so readers see the difference between an actual user experience and what you see on large photography forums. Fact is, the majority of photographers will never get to the point of pushing any M43 lens to its limit. My advice is, to determine what you need and go get the right lens. Practice good camera techniques, learn how to edit your images, and you are geared for an amazing photography experience.
The sailing community is creating some of the most interesting videos
5. Conclusion
I have not discussed any PRO Lenses. The reason is, that apart from a few, I have limited experience with these lenses. What kept me from buying more is mainly the size and weight of these PRO lenses. That said, probably the best lens I ever owned is my Olympus 12-40mm f2.8 PRO lens, but because of its size and weight, you will find the Lumix 12-35mm f2.8 in my bag.
We haven't talked about the Olympus 9-18mm f4 or the Lumix 7-14mm f4 ultra-wide lenses. Now if you asked the question on forums they will inform you that the 7-14mm has a purple flair issue. What they don't tell you is how any ultra-wide angle pointed at the sun will do this, and how real and talented photographers use flair to their advantage...
We also haven't discussed the excellent Panasonic 8mm fisheye or any of the long zoom lenses like the Olympus 70-300mm or the 14-150mm. They are all great lenses and will please any creative photographer. Folks, there are so many more great M43 cameras and lenses to discuss.
Olympus E3 with 50-200mm f2.8-3.5 - ISO160, 1/1600, f3.5
As you probably noticed, almost all the images in the article were taken in South Africa with my older Olympus E3. All Olympus cameras have the ability to produce super edit-friendly images. Whether it is the older E1, the E3, or an EM1 II, no other camera has this unique ability to produce both RAW and JPEG files that are as edit-friendly. Canon is probably the closest.
Let's close the article with a final thought about why people will collect secondhand M43 cameras and lenses. If you haven't noticed how some M43 photographers get a little emotional about these great cameras, let's make it simple and close with this image...
M43 cameras have always been a great quality offer in a small package at a reasonable price
Additional information:-
- Why the GH4 is a great first camera in 2020 - link
