Last Updated:- 26th September 2024
Introduction.
The Olympus OM-1 photographer mentioned in the introduction received the following advice. Does forum advice benefit those software companies with the best promoter deals? Considering the lack of knowledge resulting from the "size and capture" theory, don't you think those photographers who question the behavior of social media influencers should benefit from advanced training? Why did Fuji or Olympus (OM-System) never decide to offer more advanced training to clients?
The above comparison is a screenshot of my converted Workspace RAW file and the EM1 III JPEG. One can easily see the exported JPEG from Workspace is identical to the camera's JPEG. List the 3 things you would do to recreate the camera's JPEG in Workspace. Why do we need more steps to copy the Workspace conversion with Lightroom, Photoshop, DxO PhotoLab, or any other converter?
In another DPReview discussion, I received a 3rd opportunity to compare an OM-1 converted Raw file to the camera's JPEG. The exported Workspace colors were the same as the camera's JPEG. This OM-1 had V1.6 firmware installed. Did OM System correct the V1.2 color variations in later versions?
Basic information unique to Olympus M43 cameras and Workspace
Olympus photographers have the option to adjust (tweak) the camera's tonal response curve in the Camera or Workspace. That's why we say Olympus photographers adjust the camera's tonal curve, not only the highlights or shadows. It's critical to study and master this concept of tweaking the camera's tonal response curve. Can we tweak the camera's tonal response curve in Adobe Lightroom?
Study the illustration below and the two videos in this article.
One of the key features of Workspace is the ability to adjust your camera's settings. Photographers need the following skills for good image quality with Workspace and Olympus cameras. They are advanced exposure techniques and credible information about digital cameras and Workspace.
3 Steps to recreate the camera's JPEG image in Workspace
Step 1. Always use the same Color Space for the camera, computer, and Workspace. Your default color space should be RGB for these components. Why RGB or RGB1998 for a Mac PC? We use the RGB color space to convert/edit our images, SRGB for the web, and CMYK for printing. I use 16-bit (RGB) Tiff files for Photoshop because they have excellent information with RAW-like flexibility.
Step 2. The camera's image settings and White Balance reading are part of the Enhanced Raw File. That means the camera's settings plus White Balance data are available in Workskspace when we open the Raw. Study my articles on Workspace and the Enhanced Raw Format for more information.
Step 3. At this point, it's possible to recreate an accurate replica of the camera's JPEG in Workspace. This means we can create a synchronized JPEG in Workspace because we use the same color space as the camera and a copy of the camera's JPEG settings in Workspace. You shouldn't adjust your camera settings in Workspace if you plan to export a replica of your camera's JPEG file...
The RGB Color Space uses a larger color gamut with more color information. This benefits our raw conversion color data plus the process of reviewing and adjusting our camera settings in Workspace. The question is, are we editing or optimizing our camera settings with Workspace? We can ask this question because we are reviewing and tweaking our camera settings in Workspace.
Can we transfer our camera settings to Lightroom, Photoshop, or DxO Photolab? These raw conversion and editing software packages were not designed (structured) for Olympus cameras. It's better to use an Olympus JPEG or 16-bit (Workspace) Tiff file if you prefer accurate Olympus colors...
Step 4. In this step, we evaluate our image and tweak our camera settings. In previous articles, I said we only see the Live View effect of our camera settings when we activate the RAW file in Workspace. This was inaccurate because these settings are active when we open the Enhanced Raw File in WS. The latest version (V2.3.2) of Workspace is quick and capable of producing excellent results...
See this article about Workspace.
Conclusion
Did the new M43 photographer adjust the brightness of his RAW file, or does the OM-1 have different colors? You can study the OM-1 photographer's photos here. The converted JPEG would change if one edited the RAW file. What would happen if he simply exported the JPEG version after opening the RAW file in Workspace? Good forum advice would be to check the OM-1 's FW version, use an RGB color profile for your equipment, and not adjust the RAW file if you want the camera's JPEG.
It took practice to improve my results with Workspace. Those who learn about digital cameras, image sensors, advanced exposure techniques, and Workspace will always enjoy Olympus cameras. I stopped converting my RAW files in Lightroom, Photoshop, or Photolab. Folks, these basics are not difficult to master. The secret is to step away from counter-marketers and undisclosed promoters...
See this discussion with good information as well as many repetitions (promotions).
See this M43 photographer's feedback after purchasing a used Olympus EM-5 II.
Siegfried
3 comments:
appreciate the thorough write-up. From my experience, the output produced by OV/ Workspace is exactly the same as the camera's JPEG engine which is limiting to me particularly wrt default NR application, lifting up deep shadows and removing green cast which cannot be turned off and end up eating detail. To bring about the full potential of the orf files I have to use another demosaicing platform unfortunately at the expense of loosing them very nice Olympus profiles.
Trying to understand what an "Enhanced Raw" File is. Is it the Raw straight out of camera? That Raw file after processing in OM Workspace? I see references to what can be done with one, but how does it become "Enhanced"? Thanks!
The Olympus Engineers found an interesting way of let us review and tweak some of our camera settings while converting our raw files. One can speculate over the details of how they made this functionality possible and I did mention a few interesting bits in my articles.
OM System talks about enhanced raw files and I added my own interpretation based on hours of use.
I guess the most unique part is having access to different layers of camera settings versus the abstract aspects of general raw converters like LR, C1, and PL.
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