Jun 28, 2020

Olympus Pen-F color and monochrome

Last Update: 7th September 2021

In this article, we will take a look at the different Color and Creative Photography features available with the Olympus Pen F. I will also discuss the new functions Olympus added to the Monochrome, the Color Profile, and the Color Creator functions with the latest V3 firmware upgrade. We will study the Pen-F integration with WorkSpace and how one can share and upload profiles. We will discuss how to create and change profiles and finally, we will have a look at the new Pen F gallery on the official Olympus website.


These images were part of the ad campaign introducing the Pen F as a definition of style and substance in 2016

The Pen-F is one of the most radical and elegant mirrorless cameras ever designed. That said, it was received amidst "unexpected" hostility as most reviewers and forum experts immediately complained about the menu, and then demanded an OMD type "Pen F". These M43 experts also rejected the Pen F, claiming the Creative Dial had no real purpose, it's in the wrong location, and the Creative Dial and ART Filters have no place in modern digital photography. 

Search "Pen F" on the DPReview and the Mu-43 forums and you will be blown away by the negative reactions and the gossip from Olympus and M43 photographers. The most surprising was that none of these "experts" figured out that Olympus was really in the process of introducing a completely new and future Color and Creative Photography concept.

We also saw how the Pen F enabled street photographers and how they welcomed the EVF placement. The unique MonoChrome and Color features made the Pen F special and one of a kind. They could simply select from a list of up to 32 different Color and Monochrome Profiles without having to spend time on location to select individual camera settings.

Something I discuss in my WorkSpace "how-to" article, is the unique Live View feature of WorkSpace. This feature enables photographers to develop their Color and Monochrome Profiles on any WorkSpace "Live View" display. Photographers can now develop and test their new profiles before entering them into the Pen F. Also see Part 6 in my Color and Creative Photography series.


See this launch video of the Pen-F (less than 5 minutes)


Street Photography with the Olympus Pen-F

The interesting Pen-F video with the POV Photo Guy (Highly Recommended)


The Pen F had two firmware updates, see the details below:-

  • Olympus added the "Bleech Bypass film" ART filter to the Pen F
  • Custom settings C1 to C4 are now included when saving the camera configuration
  • This makes it possible to share Pen F configurations with C1 to C4 with friends
  • The ability to extract color and monochrome profiles from JPEG images
  • You can now share color or monochrome profiles by sharing your JPEG files
  • Shading effects have been added to the color profile and the color creator
  • The ISO auto settings have been expanded and are the same as the EM1 II
  • The monitor AF Targeting Pad performance has been improved
  • ART filter selection and the touch function operation have been improved




Below is the User Manual (V3.1) page #, and the related creative Pen F functions:-

  • Page 38 - Creative Dial operation
  • Page 39 - The Color Profile Tool
  • Page 40 - Monochrome Profile Control
  • Page 66 - Monochrome Profile Grain filter
  • Page 41 - The Color Creator
  • Page 42 - Art Filters
  • Page 67 - Color filter effects to the Monochrome Picture Mode
  • Page 116 - Assigning photo story to C3 and SCN modes to C4
  • Page 116 - Photo Story
  • Page 118 - SCN Modes
  • Page 33, 88 - How to set up Custom Modes
  • Page 179 - 182 - A summary of the Firmware updates V2 & V3

I wrote a 6 part color and creative photography series. Please go see parts 3 & 6 if you are new to the color wheel, color harmonies, and how to work with color and your Olympus camera. Also, see my article on how to use the Color Creator.

Setting up the Pen F to its full creative flexibility?


Your Pen F should always be ready for maximum creative use. It's really a mistake to wish the Pen F was some kind of OMD camera. For example, camera manufacturers will carefully select the image sensor for each camera to match the camera concept. This is why Olympus used a different image sensor for the Pen-F and not the same sensor for the EM1 II. The EM1 II was designed for high performance and speed, whereas the Pen F was designed for street photography and ultimate creativity. The EM1 II and the Pen F are completely different cameras and together they cover a wide range of photography applications.


A = Creative Dial / B = Mode Dial (Custom Modes) / C = Lever


The Mode Dial on the Pen F is different from the EM5 II, the EPL9, or the EM1 II. For example, you will not find Photo Story or SCN Modes on the Pen F. You need to first configure the Custom Modes C3 and C4 for Photo Story and SCN Modes before you can use these features on the Pen F. See the above user manual summary and the relevant pages in the user manual. That leaves C1 and C2 open to save your preferred camera configurations and any additional color and monochrome profiles. This enables you to save up to 9 additional colors and 9 additional monochrome profiles.

Tip:- If you like to save new color or monochrome profiles to the custom modes C1 and C2, start by selecting your preferred exposure mode like Aperture Mode (A-Mode).  Now you can configure the Pen F as you like, plus the 3 Color or the 3 MonoChrome Profiles. When done save the configuration to C1 or C2. It is not possible to save a new configuration directly to C1 or C2.

The Olympus Pen-F's main creative modes?


It's sometimes difficult to picture the complete creative magnitude of Olympus cameras and especially, the Pen F. The reason is the different creative features and options are linked to more than one function. For example, looking at ART filters you might say no they are not that interesting. 

It's only when you select ART filters that you see that each ART filter has several more options. Some of these options will also be seen when you work with the Color or Monochrome Profile. You could be in a situation where you quickly want to record a series of images with Photo-Story. You do not want to edit the Photo-Story images when back home, so you decide to use a Pop ART filter with Photo-Story. As you can see these cameras are truly creative masterpieces.

One can summarize the Pen-F creative modes in 6 groups:-
  1. The Color Creator
  2. The Color Profile (One can save up to 9 profiles in C1 & C2)
  3. The Monochrome Profile (One can save 9 profiles in C1 & C2)
  4. Monotone "Picture Mode" (different from the monochrome profile)
  5. ART Filters, SCN Modes, Photo Story, and HDR
  6. Live Composite, Live Time, Panorama, Stacking, Timelapse

Each of these creative groups has access to more options like curves, grain filters, color filters, and shading to assist the photographer in creating the perfect image look and feel in the camera.

The Color Profile Tool






A = You can select 1 of 3 factory set Profiles (Profile 1 is neutral)



Olympus describes the above color profile presets as:

"Of the three color profile presets, Colour Profile 2: Chrome Film Rich Colour provides rich, deep tones, and Colour Profile 3: Chrome Film VS gives rich film colors with high levels of saturation. You can make adjustments to these two presets, or you can create your own color profile from scratch using the Colour Profile 1 preset."

The first color profile (Profile 1) is neutral and available to the user. Profiles 2 & 3 are factory preset color profiles. If you assigned your preferred camera configuration to custom modes C1 and C2, you have 6 (3+3) more options for saving your own profiles. Set up your different color profiles for C1 and C2 and you will have a total of 8 preset color profiles and profile 1 for unique situations. I keep a summary of all my profiles on my mobile phone with a brief description of each profile.

The following variables are included and saved with color profiles:

  • Color Profile tool with 12 different color selection
  • The Shading function
  • The Highlight/Shadow & Midtone function (Curves)
  • Sharpness and contrast settings (See the SCP)
  • Exposure compensation (Exposure Comp dial on the Pen F)

These are the main settings when creating your own color profiles. Keep profile 1 in the factory setting so that you can quickly adapt colors when out doing photography. Save your own or any shared profiles in the Picture Modes C1 and C2 (6x Profiles in total). Always practice your color awareness. 

For example, practice your color awareness by doing the following:-

  • Practice scanning your surroundings, identify colors, and build color harmonies
  • When paging through a magazine identify the main colors and the color harmonies
  • Be aware of the people's clothes (colors) and check their selection of colors
  • Practice using different color harmonies (Complementary, Analogous, and Triadic)
  • In time you will find your color awareness and creating harmonies will improve
  • See this interesting photographer and his article on working with color - link

With practice, it will become second nature to scan your surroundings, select colors, and build harmonies. Adjust your target colors with Profile 1 using the Color Profil. The more you do this the easier it gets. The secret is to apply small adjustments at a time. In most cases, subtle chances are more effective than extreme color effects.

For example, you are out visiting a historic city with your family. Your partner is dressed in a bright yellow shirt with jeans. The sky is clear so you decide to focus on the complementary colors yellow and blue. You like these colors to stand out with the blue skies above the buildings. Highlighting these complementary colors, you can increase the vividness of yellow and blue with +2. Next, you will reduce the vividness of all the other colors with -2. Next, you will increase the contrast with the curves function, and in the final step, you can create a slight pinhole look with the shading function.

Monochrome Profile






A = Monochrome Profiles / B = Grain filter setting or selection



Olympus describes the above monochrome profile presets as:

"Of the three monochrome profile presets, Monochrome Profile 2: Classic Film B&W provides a grainy monochrome look, and Monochrome Profile 3: Classic Film IR emphasizes red color filter effects for the look of infrared film. You can make adjustments to these two presets, or you can create your own monochrome profile from scratch using the Monochrome Profile 1 preset."

The first Monochrome Profile (Profile 1) is neutral and available to the user. Profiles 2 and 3 are factory-preset monochrome profiles. If you assigned your preferred camera configuration to custom modes C1 and C2 you have 6 (3+3) more options for saving your own profiles. Set up your different monochrome profiles for C1 & C2 and you will have a total of 8 preset monochrome profiles and profile 1 for unique situations. I keep a summary of all my profiles on my mobile phone with a brief description of each profile. All said, with a little practice it's often faster to evaluate the scene and adapt Profile 1.

The following parameters are saved with each monochrome profile:

  • The Monochrome Profile with 9 target colors with 3 levels each
  • The Shading function settings
  • Highlight/Shadow & Midtone settings (Curves)
  • Sharpness and contrast (SCP adjustments)
  • Film Grain Effect in the (See the SCP)
  • The Monochrome base color (found in the SCP)
  • Exposure compensation (Exp Comp dial on the Pen F)

When creating your own monochrome profiles follow the steps below:-

  • Like with color profiles, be aware of your surroundings and dominant colors
  • With monochrome, you only focus on the target color and the opposite color
  • When adjusting the blues in the sky, blue will darken and yellow will brighten
  • With landscapes, one typically targets the sky, clouds, trees, fields, or structures
  • With monochrome or black-and-white scenes, focus and work on strong contrasts
  • The first step is to select your target color and adjust it with the profile tool
  • The next step is to activate the SCP
  • Select a monochrome base color (T) or leave the base color neutral
  • From the SCP you can also select black & white or monochrome grain settings
  • Finally, use curves to add more contrast and the shading function as required

See the examples below:


Original image on the left and the Monochrome profile using a yellow base color on the right

Again the original image has a color profile, then a monochrome-only profile, and finally a base color

The monochrome profile tool is not the only monochrome or monotone option on the Pen F. All Olympus cameras have the monochrome picture mode. To activate the monochrome picture mode, turn the creative dial to the "OFF" position and press the OK button to activate the SCP. Move the cursor to picture modes and turn the front dial until you see monochrome. The different monochrome options will be available in the SCP.


Olympus Pen F with 50mm f1.8 - ISO200, f4.5, 1/800 (MonoChrome Profile plus a little Photoshop)

How to create/manage and share your color or monochrome profiles?


See my WorkSpace, how-to page here. Go to how-to technique #7 for a detailed explanation of how to manage your profiles. Olympus added a new gallery with color and monochrome images created by different Olympus visionaries. You will find the collection here. Each image can be downloaded and the Exif data is included. Each image also has additional information about the profile. This is a great resource for Pen F photographers looking for ideas and inspiration... 

You can now lift any of these profiles with WorkSpace and transfer them to your camera. You can also open the image in WorkSpace, open the Exif Info, and manually transfer the settings to your Pen F.





Part of the Olympus Pen F collection of color and monochrome profile images


The available information for each image in the gallery

A more advanced technique for developing profiles is described in this article.

For example, it is possible to use color cards to copy and create your own profiles. I created a series of color cards with different DXO film profiles applied to them. Each image has another DXO film profile applied to the color card. This is a little more advanced and you need to be patient and ready to practice. The color cards are also a great help to develop a feel for color and to identify what the other person did when creating profiles.




Then finally visit my Pen F Profile page where I regularly add new profiles I developed or profiles I see on the web. You are also welcome to let me know when you develop a new profile you like to share with others...

I have added a few videos below. They offer more information on additional Pen F creative functions. Sometimes it's enough to apply a basic ART filter, it's not always necessary to look for complex solutions. Unfortunately, I had to remove several links, it seems Olympus is deleting videos from YouTube, I do not know if it is linked to Olympus selling the camera business.

Live Composite


See this link for 7 interesting TIPS on how you can use the Live Composite function. You can also subscribe to this Olympus webpage.




Photo Story




Rob Trek showing how to enter a version of the Kodak 25 profile




15 comments:

Jean-Yves Hervé said...

First, thank you for writing such an informative series of articles (in particular the one with the settings for emulating old film). I definitely learned a lot. Still, too many things remain mysterious to me :-)

Starting with... "That leaves C1 and C2 open for saving your preferred camera configuration and any additional color and monochrome profiles you like to use. This enables you to save up to 9 additional color and 9 additional monochrome profiles."
1. Two custom modes result in 9 additional profiles. Where does this number 9 come from? 4.5 profiles per custom mode?
2. Maybe just let me guess the formula. :-) Since I have no use for Photo Story, if I use C3 as another "free" custom mode, how many additional color profiles can I use now.?
3. And, in fact, even before that... "additional"? Can we actually *add* a profile or just edit/tweak an existing one?

VideoPic said...

Hello Jean-Yves
Thank you for your kind feedback :-)
1. It's the two custom modes plus Aperture Mode. (I use mostly A-Mode)
2. Yes you right, that gives you 3 more profiles you can store
3. Yes the default is always Profile 1 = neutral, Profile 2 & 3 = profiles added by Olympus. If you use C1, C2 & C3 for your own or preferred profiles you still have the 3 spaces in A-Mode. I leave Profile 1 at Neutral and I use that to do quick adjustments while on the go...

It does take time to get use to working with color. A great help is WorkSpace because you can experiment on a larger PC screen plus you get a great feel for the different color & monochrome functions. I can only strongly recommend anybody to hold onto the Pen F and to practice as often as possible.

Best
Siegfried

Jean-Yves Hervé said...

Thank you for your reply, Siegfried.
This makes sense. I get it, I think.
I also mostly use A-mode for street photography, and my C1-C2-C3 all are A-mode with different AF and silent/0-shock settings.

I got my Pen-F less than a month ago (from the Olympus refurb store) and I am definitely holding on to it, as it's easily the most beautiful camera I have ever owned, and it also simplifies things for me to only have Olympus bodies. The other happy person in the operation is my sister, who gets my old "street" camera, a Pana GX7. :-)

I am not sure that I will follow your advice on editing colors in Workspace, though. I tremendously appreciate your posting your settings, but really this is because the look of these images triggers memories of photos that I and my parents shot way back when, not because I find the achieved effect by itself more desirable. So, I am not sure what kind of color profile I could want to create, since you already kindly posted the ones I was interested in. Thank you again.

Best regards.
Jean-Yves.

Jay said...

Please help. This is all very confusing to me. How do I create these different profiles and save them? The Color Profile (One can save up to 9 profiles in C1 & C2) . The Monochrome Profile (One can save 9 profiles in C1 & C2). What about C3 and C4? Every time I change the creative dial I get to save more profiles?

Jay said...

How do you save and recall all these different profiles? Can I save 4 new custom settings with each turn of the creative dial? Please help! How do you save up to 9 profiles in C1 & C2? What about C3 and C4?

VideoPic said...

I think I gave the answer above, pls let me know if its clearer :-) It does take a while to get use to work with color first and then its not easy the first time to get these profiles into the Pen F. Good news is once you mastered it, its really easy...
I also gave page references to the UM in the above article...
Let me know if you OK

VideoPic said...

Hi Jay

When you select the Color Profile function with the Creative Dial you in the color mode. Assume your camera is set to Aperture Mode. If you now press the OK button to go to the SCP, you will be able to scroll through 3 color profiles. (see example images in the article) When you select C1, you have 3 more available color profiles, so with C2, C3 & C4. I use C4 for Olympus preset custom modes and I use C3 for picture frame modes. That means I have Aperture plus C1 plus C2 which gives 9 color profiles I can have.

To save new profiles to say C2:
- Select A-Mode from the mode dial. (can be any mode accept C1-C4)
- Go see the profiles I created - link in article or menu on the right
- Enter the values manually in the camera for all 3, C2 profiles
- Then save the that "Aperture Mode" config to C2
- That means your "new" color profiles are now in C2
- Then reset the base mode (A mode) to reload the factory profiles

Not a great method I know but it works and once you have the profiles in, its great fun. If you need to chance one profile in C2 you need to do all 3 again...

Hope this helps

Dirk Peeters said...

Ik heb ook een vraag,als ik in C1 werk en bijvoorbeeld met kleurprofiel 3 bezig ben veranderd de camera het profiel naar nummer 1 wanneer de camera aan en uit wordt gezet, hoe kan ik dit vermijden?

VideoPic said...

Hello Dirk, so lekker om jou vraag te sien, jy is welkom.
Dirk is asking - when he selects profile 3 in C1 and he switch his camera off and on, then the camera default back to profile 1 (With the Mode dial in C1)
I tried doing the following:
- In any mode like PASM, when I turn the creative dial to Color:
- I can press OK and select any of the 3 profiles, switch OFF/ON and as is
- When I am in Mode C1, the camera does reset to profile 1 as Dirk says
- When I am in Mode C2, the camera will not reset to profile 1

So it seems the camera only does this in C1 Dirk. The quick solution is use the SCP to select profile 3 again

The Pen F is a little special in terms of ease of use, I hope this helped

Siegfried

Unknown said...

RE: your monochrome photo using a yellow base color. I love that photo! But my PEN F doesn’t have a yellow option in T, only sepia, blue, purple, and green. So I don’t understand how you made that photo.

VideoPic said...

Hi, thanks for the feedback :-))

This is a great question.

I read the description and my mistake, I was not very clear on what I did.

Here is what you do:-

- You need to think about opposite colors
- Start with applying the Monochrome Profile in the Pen F or in WS
- If you did it with the Pen F, edit the RAW file in WS (See WS Tip 19)
- When you have the Monochrome settings active in WS, goto the next step
- Select the Blue channel in Tone Curve function in WS
- Move it down and left & right until you see what you want

What happens is as you reduce blue in the Tone Curve function, the opposite yellow will increase in the image. I describe this Tone Curve technique also in my WS Tips section.

Thanks again...

icemncmth said...

Great article! I just picked up a Pen-F with a very low shutter couny. I mainly shoot in BW. Grew up shooting film on manual cameras. Really love how the Pen-F captures BW.
Great help thank you!

VideoPic said...

You are welcome. Thank you for your kind feedback and congratulations with your new Pen F. The Pen F is one of those cameras that needs time. The longer one use the Pen F the more you appreciate it and enjoy it. One of the things I try to do with my writings is to transfer know-how and how-to unlock Olympus cameras or how-to create profiles yourselves and not only use my profiles. I believe knowing how to unlock these great cameras make them that much more fun. Best Siegfried

Hollowcow said...

Hey guys!
Baught the ep-7 and very I'm very djssaponted with the build quality. I can get the pen f for 800 euro used. Or get the om-1 with the stacked sensor for 1300 euro used.
I was wondering I'd it's possible to apply pen f color profiles to the OM-1 raw files with workspace. And is it fast to do for. Multiple pictures?
That way I can go for the better om-1 and just apply the color profiles in workspace.
Is that right?
Does anyone have the spreadsheet of the costume color profiles of the pen f modeled after film stocks?
I found a link to a drive file but it appeared to be unavailable

Wonder if it worth getting the pen f only for the Size, fun matter and the color profiles. Otherwise will much better use the om1 with the live nd and many other stuff. Better quality as well. But it's heavy and not so fun...

VideoPic said...

Thank you for your comment. So many photographers have the same concerns and questions you have. Let's have a quick look:
Build Quality. The build quality of the EP7 is not that poor. It's more the material they used. The Pen F has a lovely metal body, quality feel, and unique design. The plastic body of the EP7 is disappointing...
The OM-1. I tested the OM-1 and the EM1 III when the OM-1 was first launched. The IQ differences between them were relatively small. The benefits one gets from the OM-1 are functionality and the readout speed of the stacked sensor.
The Pen F, EP7, or OM-1. The OM-1 is a very different camera. It is possible to apply color profiles on most Olympus raw files. The benefit of having the Pen F or EP7 is color grading in the camera when filming. This is not possible in Workspace...
I never focussed on user-ready color profiles. My aim was always to show photographers how to use the functions. I sometimes regret not taking a more commercial approach...
My advice is to keep the EP7 and get to know it well before considering selling it. It's an amazing camera...
Siegfried

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