The Olympus label on the Pen EP-7 and OM-1 signifies the end of a rich history of innovation by the Olympus Engineering team. The new OM-System OM-1 II and OM-5 (EM-5 III) introduced a new era for these cameras. All said the similarities between the EP-7 and older E-P, E-PL, and Pen F cameras are striking. I like the elegance and look of the new Pen EP-7 with its 337 grams. The lack of an EVF and the plastic camera body also introduced a future of low-cost OM-System cameras. Good IQ and low pricing will be critical differentiators for OMS cameras like the EP-7, OM-5, and OM-1 II.
I purchased my EP-7 from OM-System in 2021. Following this short introduction, I planned to spend more time with my new EP-7. More than eighteen months passed, and it's time for an update. See my comments in RED. My E-P7 was part of a special deal with an Olympus 75mm f1.8 Zuiko lens. I had this lens and only kept the Pen EP-7 because it became my "always with me" camera.
My Olympus Pen E-P7 with the MZuiko 17mm f1.8 lens plus the older Olympus VF-1 Optical Viewfinder.
What is new, and how does the EP-7 compare to the Pen-F
I discovered the updated User Interface (UI) with its new AP menu as I studied the Pen EP-7. The new UI is available for the EM-10 III & IV, E-PL10, and EP-7. I briefly considered renaming the title to "A New Generation of Olympus Cameras" as I learned more about this new AP-style menu.
When will we see a new Pen-F II, and will it have these EP-7 upgrades, or did the EP-7 quietly replace the older Pen-F? Did Olympus (OM-System) refocus the Pen-F by removing its OMD functionality? For many, the Olympus Pen E-P7 could easily be a perfect day-to-day or "always with me" camera.
I used my E-P7 for +18 months, and it quickly became my favorite camera. Its fewer menu options are refreshing, the controls are reachable with one hand, and the AP menu is a blast. Most pleasing is its excellent image quality. The original Photography and Color concept from Olympus included CreativeColor and unique Computational features. Does the EP-7 signal a more simplified version of this concept. Should all OM-D cameras be that different from the Pen range in the future?
Source - Is this the future of the Olympus Pen Series?
As said, the new Pen EP-7 reminds me of the older Pen E-P cameras. Interestingly, the E-P1 and the EP-7 cameras are unique as they signify something new for Olympus and OM-System. For example, Olympus designed the EP-7, and OM-System launched it. Does the Pen E-P7 introduce a new design concept for OM-System? The future of the EP-7 relies on its commercial success. Like the Pen F, the new EP-7 came with a few surprises. The biggest is no EVF differentiating it from the Pen F.
Olympus experimented with more cost-effective body finishes in the past. The EM5 II was the first OMD with a cheap or painted camera finish. Many used EM5 II cameras look cheap today with rubbed-off body paint. This doesn't happen to the Olympus E-P7, EM1 II/III, or EM10 II. I saw the Olympus OM-1 has the same problem. Did OM-System improve the OM-1 II. For example, I have an Olympus EM5 II Platinum version in perfect condition. I decided to never place it in my camera bag...
The Pen E-P range was always the designer range of cameras like the above Pen E-P3 camera.
The Pen E-P2, 3, and 5 have the same auxiliary port for accessories like electronic viewfinders (EVF). The original E-P1 and the new Pen EP-7 do not have this port. The Pen EP-7 does have a tilt display like the previous Pen E-P5. The difference is the EP-7 display tilts downwards at 180 degrees. This is a feature Vloggers and Social Media presenters want. Is the E-P7 a typical Vlogger camera?
Pen E-P7 with the 17mm f1.8 lens - ISO200, f4.0, 1/400 - Monochrome in camera and Enhanced Raw edited in WS.
I didn't plan to discuss the benefits of an EVF and the E-P7. While it's a great feature, I don't need my EVF each time I use my Pen F. The main reason is mirrorless cameras are different from DSLRs, and modern camera displays are excellent. The biggest problem is bright or midday sunlight. I would have liked the same EVF option on the E-P7 as older Olympus mirrorless cameras like the E-P3...
The 25% of the time I benefit from having an EVF will also be a dealbreaker. Bright sunlight, Live View, and fine-tuning my creative settings are best done with an Electronic View Finder (EVF).
The old VF-1 from Olympus is an excellent OVF in combination with the 17mm f1.8 lens.
September 4th, 2023 update:- The POV Photo Guy, another YouTube reviewer, said the Pen E-P7's IQ and colors are exceptional in this review. I agree with him because my Pen-F and the E-P7 have excellent color and image quality. For example, See this short article about the EP-7.
The most exciting part of Workspace is reviewing and tweaking your camera settings and the ability to produce Olympus image quality and colors with Workspace. For example, Workspace does not change your OM-D's professional or the Pen-F or E-P7's creative image look. Olympus photographers can now get Olympus image quality and colors from their home PCs and Workspace. For example, raw images from older compact cameras like the XZ-2 or the Olympus E-620 DSLR are the same as the camera when converted with Workspace. The exported 16-bit tiff files from Workspace also provide cleaner and better image data to Photoshop when editing your images.
The Pen-F's Color and Monochrome Profile functions were added to the new E-P7. You will also see functions like the Color Creator, Highlights & Shadows, ART filters, and many more in the E-P7. The Pen E-P7 makes one wonder if OMDS targeted the E-P series for its simplicity and elegance?
The implementation of the E-P7 Color and Chrome functions is unique. Many photographers battled with the Pen-f when using it irregularly. The E-P7 is more user-friendly with its new Color/Mono lever, updated UI, and new AP Menu. My favorite applications with the E-P7 are Monochrome and Color profiles. I never created monochrome profiles because the Pen F and E-P7 give us excellent control while photographing. One can always fine-tune your monochrome settings in WS.
Pen E-P7 with the 17mm f1.8 lens - ISO200, f4.0, 1/640 - Monochrome in camera and Enhanced Raw edited in WS.
It's good that OMDS decided to continue with the Enhanced Raw Format and the benefits of Live View in WorkSpace. The difference Workspace makes is significant. All OMS photographers should be able to view honest social media discussions and enjoy a fair chance to experience Workspace.
The E-P7 is compatible with my Pen-F color and monochrome profiles. I created a few color profiles for the Pen F. They are fully compatible with the new E-P7 and other Olympus cameras.
Do we learn anything new about future OMDS cameras from the E-P7? We are lucky because we now have the OM-5 and the OM-1. You can also find my OM-1 MKI/II comments on this blog. Below is an updated list of what these cameras teach us about future OM-System cameras:-
The Pen E-P range is a designer or elegant street and creative camera...
The OMD E-M10 series for the enthusiast and entry-level OMD photographer
The OMD OM-5 series for the demanding outdoor and hiking photographer
The NEW OM-1 series for the serious hobby and professional photographer
The OMD OM-1X - based on the EM1X popularity, will there be an OM1X?
What do you think the next OMD will be like?Well, we have the new OM-1. We saw the IQ benefits of the new stacked BSI sensor in my OM-1 review. We also know the 20MP Live MOS sensor performs well in the EM1 II & III and cameras like the new E-P7 and the Pen-F. It would be interesting to see if OM-System re-uses the new BSI sensor like Olympus did with its previous sensors.
There is simply NOTHING like the Pen F on the market today...
Does the E-P7 have a similar 20MP Live MOS sensor as the Pen-F? It doesn't seem like the same sensor because the E-P7's continuous autofocus capability is better in video mode. The E-P7 has the same TruePic VIII processor as the EM1 II, EM5 III, and the OMD EM10 III & IV.
For more about the TruePic VIII Image Processor in the E-P7, see the E-PL10 description at OM-System and how the TruePic VIII prevents image noise. The Pen F, the EM5 II, and the EM10 II all use the previous Truepic VII image processor.
Consider the complete offer when searching for a new camera. Image Processors are part of having better cameras with higher image quality. The 4 most important aspects to consider when searching for a new or secondhand Olympus are:
The camera - Truepic image processor version and firmware upgrade history
The image sensor - study the camera launch papers to see what they improved
The type of photography and which of the Premium or Pro lenses you need
Workspace - this is the most neglected and most critical Olympus editing option
A good example is the different EM10 models. Considering the EM10 MKII or MKIII, which is more relevant for 2024. The EM10 II is known for being an excellent camera, while the EM10 III updates offer more in terms of 4K, better AF, the new AP menu, and the newer Truepix III processor.
The Olympus Pen E-P7 with the 75mm f1.8 lens. The 75mm lens makes for a fantastic combo with good image quality...
I knew the E-P7 would produce excellent image quality. Each time I use one of my OMDs or go back to the Pen-F, I am surprised by the image quality of these Pen cameras. The obvious question is, did the new Pen E-P7 follow in these footsteps, or will we see a more neutral or Pro-like image quality from the E-P7? What is your preference?
I am happy to report that the Pen EP-7 became my favorite "always with me" camera. It is quick and responsive, the VF-1 optical viewfinder is a joy with 17mm lenses, and the image quality from the Pen E-P7 is the best I have seen from any of the Olympus Pen cameras. It is also a fun camera when walking or doing street photography.The new E-P7 is simply an exceptional camera.
The Olympus R&D engineers simplified the E-P7 menu. The simplicity of the E-P7 menu is excellent, especially when you need to find or adjust a function. The new SCP and AP menus improved the E-P7 user experience and operation. Folks, the new E-P7 is a very different mirrorless camera...
Olympus E-P7 with 75mm f1.8 lens - ISO250, f2.0, 1/160 - Enhanced Raw Edited in WS.
I can only recommend the new ART filters and SCN modes of the E-P7. The ability to tweak your ART filters is a game changer, and new SCN modes like the HDR option are excellent. My first reaction was disappointment when I opened the "mini" menu of the Pen E-P7. The E-P7's secret is its new AP user interface, ART filters, SCN modes, Color Creator, and color and monochrome profiles.
The E-P7 partners well with the Enhanced Raw Format and Workspace. I have been enjoying great results with the previous and the most recent versions of Workspace. See my Workspace firmware updates. Workspace is currently the best raw converter for your Enhanced Raw Files, and Photoshop is the best editing option for editing your exported Workspace 16-bit tiff files.
It was clear that the Pen E-P7 is compatible with my Pen-F color and monochrome profiles after trying them with my Pen E-P7 and the E-P7 enhanced raw files. Study this article for more information about the Enhanced Raw Format and Workspace. The image above shows the new "Color" slider for ART filters. The color slider is available for both the E-P7 and Workspace. The video below explains how to use Workspace and the Enhanced Raw Format to replicate the camera's image signal path.
It's now possible to change the effect or how much the ART filter changes the image. This makes the E-P7 a more exciting option for ART filters. One of the most powerful aspects of the new Pen E-P7 is the ability to replicate and tweak your camera settings in WS. Olympus is the only manufacturer with this level of Enhanced Raw control of the camera's ART Processor and Workspace.
I tweaked the E-P7 Instant Film ART filter in Photoshop. See a description of the technique below...
I use a similar technique as the new ART filter slider to tweak my ART filters in Photoshop. I start by converting two copies of the raw file in WS, one with the ART filter and another in the iEnhanced Picture Mode. I will open both in Photoshop layers with the ART filter image on top of the iEnhance image. I then use the Opacity Slider in layers to adjust the final ART effect.
Pen E-P7 with the 17mm f1.8 lens - ISO200, f4.0, 1/640 - Monochrome in camera and Enhanced Raw edited in WS.
I enjoyed my E-P7 enough to keep it after having it for more than one year. Things like not having an EVF are frustrating. If this puts you off, then the E-P7 is not a camera for you.
Let's compare a few interesting E-P7 differences to the Pen-F:- (Updated)
The E-P7 has 4K with 120fps @ 720p and the Pen-F, 1080p and 120fps @ SD
The E-P7 video format is M-PEG, and it has no ALL-I or MOV like the Pen-F
The E-P7 body is plastic and light, and IBIS is half a stop slower than the Pen-F
The maximum sequential shutter speed for the E-P7 is slower than the Pen-F
The Pen-F High-Resolution mode was not transferred to the new Pen E-P7
The 4 Custom Modes on the Pen-F Mode Dial are not on the E-P7 (Use the SCP)
To simplify the E-P7, much of the Pen-F external controls were removed
The exposure comp dial on the Pen-F is not on the E-P7 - it's like the OMDs
This simplification (No Creative Dial but UI) makes for a new E-P7 experience
A new Instant Film ART filter was added, while the filter options UI is better
The opacity of some of the ART filters is now adjustable - this is a good option!
The Pen-F built-in EVF (with OVF) is not available with the new E-P7...
Can now charge the battery via USB. We older guys simply use 2 batteries
The Pen E-P7 user manual has been reworked and is easier to read/study...
New AP Button activating the "creative" menus (AP, SCN, Live Guide...)
The E-P7 new B-Mode - long exposures and light blending - user experience!
OMDS added new SCN Modes to the E-P7 - it's part of the user experience!
The panorama mode on the E-P7 also changed/improved, which is interesting.
The filter/profile effects in movie mode are improved - need to be explored...
The focus is everyday photography. It's small enough to always be with you...
I tried the 1st iteration of the "new user experience" or AP menu on my wife's EM10 III. I prefer the familiarity of my EM1 II and Pen-F. I can see the value of having a more "user-friendly interface." A simple example is selecting Live Bulb and Live Comp on the Pen-F. Many would say it's logical to turn the shutter dial to "B." While this is normal for older photographers, it might not be for young photographers. See the EM5 III implementation of the new user interface.
Little more than one year and my opinion changed. The new UI is simple, effective, and great to work with as you get to know it. This new UI interface is a great selling point for the E-P7...
Olympus Pen-F with the 8-18mm f4.0 lens - ISO200, f6.3, 1/1000 (Raw file converted in PhotoLab 4 & edited in PS)
Why do I regard the Pen-F as a more hands-on camera than the E-P7? The Pen-F and the photographer are like a team. Every dial and knob are intuitively placed and easy to reach as the photographer selects the image angle, framing, and final tweaks of the image look or enhanced raw file. The focus is photography and not the camera. The EVF placement, touch focus, exposure compensation dial, and creative dial are active parts of photographing creatively. Photographing with the Pen-F is a continuous process of tweaking and evaluating until one releases the shutter. For example, one of the most underestimated features of the Pen F is its features and the optional handgrip...
This is the Olympus version of the above image when the Enhanced Raw Files are converted in WS.
The new Pen E-P7 is more like the previous Pen E-PL10 series and not the Pen-F. The new UI and the touchscreen were implemented to target a specific segment and user profile. One can also see how Olympus preferred the simplicity of the older Pen E-PL cameras. Did they add the Pen-F profile functionality to the EP-7 because the target segment wanted this functionality?
I did change my mind after one year with the E-P7. My previous description of the Pen-F is correct because it has the minimum creativity every camera should have. What makes the E-P7 more like the Pen-F is its two control dials. The E-P7 feels like an OMD or the Pen-F in the hand. I need my left hand to switch on the Pen F. With the E-P7, everything is controlled with one hand...
The new Pen E-P7 is perfect for short video clips...
Short E-P7 with 12-50mm EZ lens video was edited in iMovie. I also added its music.
While I am not an experienced videographer, these 2 videos were interesting. You will see the video quality of the 1st clip could be better. I checked all my original clips, hoping the problem was Google or the video editing software. Looks like the problem is me and not the equipment I used...😀
I also experimented with different recording formats, lenses, exposures, and Variable ND filters. My results continue to improve at 1080p and 4K. The E-P7 was obviously not designed to compete with cameras like the GH5. The Pen E-P7 should be on your list of possible cameras if you are searching for a new "compact" style camera. The more I use the E-P7, the better it gets... 😊
The video I did in iMovie is better.
I did more tests with good colors and detail in 1080p and 4K. The secret is to free up the Image Processor. The best way of freeing up the image processor is to select fewer adjustments in the camera. I used the following settings to record my video clips:
1080p, Super Fine (bitrate), 25 bps, and MOV (auto-selected)
My Picture Mode was set to Natural (to free up the processor)
I used Exposure Mode S or Shutter Priority (not Movie Mode)
The camera uses C-AF in video mode - Use all the focus points
The ISO Auto range is 200 - 3200 with No Exposure Shift
Tone Curves Function was set to +1 (highs) and -1 (lows)
Shutter Speed was set to 1/50th and ISO to Auto
I never adjust any of the other variables like sharpness
I used the 12-45mm f4 Pro lens with a Variable ND filter
The type of memory card is critical. I use a V30-rated SD card.
Olympus E-P7 with the 12-50mm EZ Lens.
Does everyone need 4K, or is 1080p good enough? It sounds good if 4K records 4 times as many pixels as standard HD (1080p). The reason I prefer 1080p is recorded data and quality. For example, a good balance between data and video quality is 1080p @ 25fps. Any increase like 1080p @ 50fps or 4K means more data and processing power. The requirements for recording good video quality are similar to taking photos. Regular practice and appropriate camera settings and lenses are essential.
One of the E-P7 improvements is its CAF performance. I couldn't find much info about the autofocus algorithm, except for noticing an improvement in the E-P7's continuous autofocus performance. It also performs differently from my older Pen F and the EM-5 II cameras. OM-System only mentioned better Face Detection and an improved Contrast Detect AF algorithm for the E-P7.
The new AP Menu and design of the Pen E-P7
The image below shows the similarities between the new E-P7 and other Pen models. The thought that we will not have a Pen-F II is disappointing. Is the Pen F too old to rebrand it as an OM-System Pen F II? Did OM-System decide to move on, knowing that M43 photographers rejected the Pen F? We also saw the launch of a new Fuji X100VI supporting Fuji's interest in this niche market?
I often asked myself, what if photographers were a little more adventurous and accepted the Pen-F? Will this "failed" Pen-F experiment be the final push of the creative ART and color boundaries?
One of the differences between the E-P7 and the older Pen F is functionality. Most M43 photographers felt intimidated by the Pen-F's creative dial and function lever. OMDS improved the EP-7's creative modes significantly. The creative dial was replaced with a lever, and the new AP menu replaced the Pen-F's function lever. Olympus also cleaned up the creative menus of the E-P7.
It takes a little getting used to, but it was fun once I familiarized myself with the new menu system. The main strength of the Pen E-P7 is the new UI and the E-P7's one-hand operation. Everything can be done with one hand. The knobs and dials are all within easy reach and logically placed.
My articles about color and the Olympus Pen F are as popular as when I first wrote them. The E-P7 is a great addition to the Pen Range because it is the same as what made the Pen-F so special. The longer you use the E-P7, the more you realize it's an exciting new creative solution...
OM-System also launched a new version of the OI Share Application. I tried the new App with the EP-7, and they work well together. The remote control function seems better, especially with LiveComp and Live-Time. Image editing is better with the App and now has Dehaze and Clarity like Workspace. The similarities between the IO Share Application and Workspace are interesting. I also liked the updated options for sharing images on the web. OM-System, why not give us more image ratios like the 5:4 ratio in the camera? You will learn more about the new OI. Share here.
The E-P7 with Color Profiles and Workspace
Below is an example of a Color Profile I did for the Pen-F. This profile is unique because it was designed to edit or prepare the image in the camera. This profile can also be used to color-grade videos while recording your clips. This is now also possible with the Pen E-P7. (I tried it on with my E-P7) See this Page Menu for more on this "1020" color profile...
Olympus Pen-F with 11-year-old 8-18mm f4.0 lens - ISO200, f6.3, 1/1000 (Raw file converted & edited in Photoshop).
This is the Olympus version of the above image when the Enhanced Raw Files are converted in Workspace.
Conclusion
My original idea was a detailed comparison between the Pen-F and the E-P7, but after studying the E-P7, it was clear these are two very different cameras. The Pen-F will always be the first creative camera with a special connection to Pro OMD cameras. The more simplified E-P7 is a more basic version of the Pen-F. The good news is the Pen E-P series continues with the creative flair of the Pen F. Interestingly, the Pen-F popularity continues to increase each month...
We also saw something encouraging from OMDS. They are pushing the complete Zuiko lens offer. Lenses like Basic Zuiko and Premium Zuiko lenses enjoy the same visibility as the Zuiko Pro range. For example, see the EM5 III or the E-M10 IV page if you can find it on OM-System's website. This is good news because Premium Zuiko lenses, like the f1.8 compact range, are fantastic.
Three images were taken with the E-P7 and one with the EM-1 III, which is the EM1?
I saw no major surprises with the new E-P7. It's basically a good and well-balanced camera. Though very different from the Pen-F, we now have 4 color and 4 monochrome profiles in the E-P7. That said, I find it easier to do color or monochrome settings on the go and to only tweak them in Workspace.
It will be a sad mistake if Olympus photographers underestimate the Pen E-P7 as they did with the Pen-F. For example, one can expect a new EM10 IV or a Pen E-P7 II because we now have a clear cut between OMD and Pen E-P cameras. We did get the EM10 IV..!
I have been buying used cameras for years and recall paying $2000 for a new Panasonic GH4. My used GH4 was a mere $650 a few months after the GH5 launch. Used cameras also cost way less the older they get. For example, I recently saw an Olympus E-620 with the Zuiko 14-54mm f2.8-3.5 "Pro" lens selling for less than $150. In fact, cameras like the E-510 are going for less than $30.
Photographers with older cameras are also more interested in the creative aspects of a camera. They like to learn more about sensor types like the older CCD, Fuji's X-Trans, or M43 Live MOS sensors. They will review aspects like the camera's image characteristics, "color science," the camera's look and feel, the edibility of the Jpeg and Raw files, general owners' feedback, actual photo examples, and the expected condition and reputation of a used camera before buying it.
Content:-
Introduction
The main differences between old and new cameras
The road to the perfect camera and the perfect image
My list of top secondhand M43 cameras and lenses
Conclusion
Olympus E3 with 50-200mm f2.8-3.5 - ISO160, f3.5, 1/5000. (The raw file was edited in PhotLab 4, PS, and Luminar 4)
2. The main differences between old and new cameras?
I recently tested 15 cameras in this article. The oldest camera was almost 20 years old. These were cameras like the Canon PowerShot G5, the Konica Minolta A2, the Olympus E-1, the first OMD E-M5, and the Sony ZV-E1. I was reminded of their historical value as I rediscovered some of them.
I was watching 2 YouTubers talking about the Panasonic GH5 II. One explained that photographers need a 4K 10-bit 4.2.2 camera in 2023. He said photographers need a hybrid camera like the Lumix GH5 II to enjoy the latest 4K (HDR) Televisions and high-resolution computer displays.
They also expressed concern about the "digital film look" of newer cameras like the GH5 II and how it affects one's eyes when watching 4K 10-bit 60p footage on older PCs or 1080p televisions. They discussed the contrast between the more familiar 24p cinema look and the new 60p "gaming" look of the GH5 II and how we could train our eyes to appreciate 4K 60p footage more.
One of the questions in 2023 is which video format is best for my personal needs? Is it critical to film in 4K 10-bit 4.2.2, or is it OK to use 1080p? Is the argument for 4K similar to full-frame, and how significant are the benefits? This is a question each photographer needs to consider.
Olympus EM1 with 12-50mm EZ f3.5-6.3 lens - ISO200, f11, 1/200 (Jpeg out the camera NOT edited).
Those who value older cameras get used to a slower and more relaxed pace. For example, one quickly adapts to this "new" pace when photographing with older cameras like the Olympus E-500 or the Konica A2. The benefit of a slower pace is a more relaxed way of improving your hit rate.
Referencing my own experience, here are a few things I consider when buying used:
Older cameras need more time for screen updates, taking an image, and saving files
The UI consists of low-resolution displays and outdated menus with fewer features
Older image sensors are less sensitive. This causes more losses and image noise
Some have great features, but it takes patience and practice to master some of them
The batteries of many of these older cameras are not good and difficult to replace
The memory cards and card readers of some of these older cameras are very slow
And finally, newer cameras like the GH4 or EM1 II are quick and more advanced
It helps to target cameras from 2012 onwards if you like a more responsive camera
The better we control the sensor, photons to electrons phase, histogram, and sensor saturation (SNR), the better the image quality we get from older cameras like the Konica A2 and Olympus E-1...
Olympus E3 with 50-200mm f2.8-3.5 Pro lens - ISO 160, f3.5, 1/500 (Raw edited with Photlab 4 and Photoshop).
Comparing cameras like the Panasonic Lumix LX7 and the Canon S120, we see the S120 has a better UI and is more snappy. The Canon S120 also uses a modern BSI image sensor and a more powerful CPU (image processor). The problem is that the Canon's sum of parts doesn't beat the LX-7...
The Panasonic Lumix LX7 is an older but not an underrated photographic tool. In many respects, the LX7 is better suited for the creative photographer. It's more flexible than the S120, uses a standard CMOS architecture, accepts a plug-in EVF, and is fitted with a faster Leica lens. The priorities when evaluating older cameras change everything. For example, I was testing a used gimbal for my GH4. Many forum experts don't like the GH4 because it has no IBIS and uses contrast-detect AF.
I never plan for people to run back and forth in the camera frame. I was also pleasantly surprised to see how well the GH4 focuses and the beautiful 4K filming results it delivered. The gimbal helped to elevate the "cinema" look of my GH4 videos as it made the older GH4 shine again. Interestingly, no matter how hard I tried, it took years to part with my trusty Panasonic Lumix GH4.
A more recent "oldie" is the Panasonic GH5, which sells for as little as $500. I saw many YouTube videos discussing the filming projects created with the Panasonic GH3, GH4, and GH5.
Olympus EP3 with 12mm f2.0 Lens - ISO200, 1/800, f7.1 (Raw edited with WorkSpace)
I bought 2 secondhand gimbals in 2020, the Feiyutech G6 Plus (below) and a Pilotfly. My wife uses the G6 for her EM10 III. The Pilotfly did not work that well, and we gave it away. I found another gimbal in good condition and bought it for $10. A gimble is a nice-to-have option for casual videos.
As promised, I will be talking more about filming in the future. Photographers should take the time to see what kinds of filming projects they like to create. If you are interested in family videos, wildlife, nature, or short documentaries, then the smaller M43 cameras from Olympus are perfect.
Olympus E3 with 50-200mm f2.8-3.5 - ISO160, 1/200, f3.5 - Raw edited with PhotoLab 4.
3. The road to the perfect camera and perfect image...
The hype about sensor size, more megapixels, and better specifications has become an issue for many photographers. I created the illustration below to help those struggling to find the right balance for their photography and filming needs. Many successful photographers keep the same camera for years because travel costs, experience, and knowing your camera are more important.
It could take years for aspiring photographers to master and benefit from the advanced functions in newer cameras like the Olympus OM-1, the Sony A7IV, and the Fuji X-T5. Even the EM1 II/III could be challenging for many. For example, the perceptive advantages in image quality between the EM5 II and something like the OM-1 are small and require advanced analysis skills to fully appreciate. The easier recognizable differences between older and newer cameras like the EM5 II and the OM-1 are functions, speed, computational features, and the ease of doing more complex assignments.
Photographers using older cameras free themselves from the social media hype and programming. Sales arguments like new menus, megapixels, pixel area, and pixel definition are less critical when learning all about photography and an older camera like the Olympus EM5 II or EM1 II/III...
Guess what 2001 camera he used?
This is interesting because breaking from always having the best electronic gadgets lets us enjoy more freedom. It's this freedom that makes discovering older cameras so much more fun. No matter what brand or camera you use, the perspective discussed in the video below argues that the photographer is the only thing standing between the camera and that next winning image.
These 5 Tips are so appropriate to this part of the discussion...
The E-M10 II is one of the most exciting used Olympus cameras. For example, the EM10 II feels more like the twin brother of the EM5 II, in both photography and video, than the 2nd generation of the original EM10. Even more surprising is how little they cost on the secondhand market...
Olympus E-450 with 14-42mm f3.4-5.6 kit lens - ISO100, f5.6, 1/320 - Enhanced Raw file converted in Workspace.
Talking about too much emphasis on specifications, when Olympus introduced the new EM5 III with its composite materials, countermarketers started a grassroots community to complain. While the Olympus EM5 III was one of many "composite" cameras. Olympus photographers appreciate the weight advantage of the EM5 III when walking in nature or hiking in the mountains...
A popular counter-marketing technique discredits the build quality of Olympus products like the EM5 III with its "failing" tripod fitting. Some complaints look like an imaginary vision of "students" throwing the EM5 III from arm's length onto the tripod. Are competitors really that desperate, or do I treat my cameras too well..? I never had any neck strap fitting or tripod fitting failing on me.
4. My list of top secondhand M43 cameras and lenses
The secondhand supply chain is a new way of buying quality Olympus camera gear. For example, it facilitates future Pro photographers when replacing the dwindling entry-level segment with high-quality and capable M43 cameras. Which camera would you prefer if you had a choice between a new EM10 IV or an older or used Olympus EM1 II in mint condition and at a much lower price?
Olympus E3 with 14-54mm f2.8-3.5 - ISO160, 1/120, f9.0
The following are the selection criteria I used for this discussion:
Size, weight, and cost. The focus is M43 systems plus the full-savings benefit on offer
The camera/lens combinations that offer +98% of "Pro" IQ with Standard Zuiko lenses
High-quality M43 cameras with Prime Zuiko lenses typically sell at higher used prices
The Pro series EM1 I/II/III cameras offer more advanced, faster, and better functionally
The M43 series of EM5 cameras are weight-saving alternatives to the EM1 Pro series
The EM10 series of M43 cameras delivers excellent image quality with less complexity
The Pen series of Olympus cameras focuses on creativity and excellent image quality
Olympus E3 with 50-200mm, f2.8-3.5 - ISO350, 1/250, f3.5 (Raw edited with PS).
The "best" entry-level M43 cameras and lenses below $200
The Olympus Pen E-P3 is a great camera/lens combo for $150. All Standard, Premium, and Pro Zuiko lenses have top-quality lens elements. The main differences between these lenses are durability, build quality, high-tech optical corrections, dust & weather sealing, and size & weight. Standard Zuiko (kit) lenses were often included in a package or camera/lens combination.
The E-P3's classic look, quality build, and features make for an exciting camera:-
The Olympus Pen EP3 is a beautifully designed camera
The Olympus Zuiko 14-42mm f3.5-5.6 II kit lens is good
This lens had a macro, wide-angle, and fisheye converter
The EP3 offers many of the advantages of newer M43 designs
The Olympus FAST AF and iEnhance features are part of the EP3
The EP3 has a touchscreen with new and advanced features
The EP3 has the unique Olympus Fine Detail Processing (1st Version)
IBIS is available in movie mode (It's a great entry-level video camera)
The Pen EP3 offers several new and improved video functions
SCN Modes, ART filters, and several other creative modes
The EP3 has a unique multi-functional port (not on new models)
The multi-function port accepts various options like an EVF
The EP3 benefits from advanced exposure techniques like ETTR
The EP3 has NO Live Composite, Live Time, Curves, or Color Creator
The interesting Olympus Monochrome settings are part of the EP3
The EP1/2/3 are known for their Legendary Oly Colors and IQ
The EP3's noise pattern is pleasant to the eye and great for creativity
The Olympus Pen E-P3
Other Olympus M43 cameras at the below $100 mark are the EP-2 (12MP), E-PL3 (12MP), and E-PL5 (16MP). The original EM10 (16MP) is another best-ever from Olympus. The original EM5 and EM10 offer good image quality and sell between $80 and $120 for a used copy in mint condition.
The "best" entry-level M43 cameras below $300
Several M43 cameras, like the EM10 II/III, Lumix G6/G7/G81, and the GH2/3, are selling at this price point. My favorite M43 cameras in this price range are the Lumix G81 and Olympus EM10 II/III. The EM10 II often comes with the newer Zuiko 14-42mm EZ kit lens. The EM10 II and G81 are capable cameras with excellent image quality, features, and performance. Keep your Olympus Zuiko 14-42mm II lens when upgrading from the Pen E-P3. It's a good lens and match for the EM10 II.
Olympus E3 with 50-200mm, f2.8-3.5 - ISO160, 1/1250, f3.5 (Raw edited with PhotoLab 3 and PS)
Here are a few of the unique EM10 II features:-
The EM10 MKII has +90% of the unique features offered in the EM1 series
It has an improved 16MP sensor with better image and video capability
The memory card slot is SDXC and UHS-II compatible (good for video)
The EM10 II has almost all the video features available with the EM5 II
The EM10 II has the Super Fine video option and delivers high-video quality
The EM10 II has an improved 5-axis IBIS, which is available in video mode
The EM10 II offers a 4K timelapse, Live Composite, Curves, Color Creator
The ART filters and Scene modes have been upgraded with more options
The EM10 MKII has 90% of the EM5 MKII without splash/dust sealing
The EM10 II works well with more advanced exposure techniques ( ETTR)
The EM10 II grows with aspiring photographers to advanced levels of photography. In fact, it's a good idea to have two or three in your camera bag. For example, the EM10 II works well in multi-angle "3-camera video" setups. The EM10 II savings can be used to invest in better lenses.
The Panasonic G81 is a well-known M43 hybrid camera with 4K video and IBIS. It's popular amongst filmmakers and sells at higher prices than the EM10 II/III. My advice is not to have both Olympus and Panasonic cameras. They are very different, which makes it difficult to master any of them.
The Olympus EM10 MKII
One of the more appealing attributes of M43 Olympus cameras is the scalability of the OMD series. Most OMD cameras can be transformed into a more flexible camera with an add-on camera and/or battery grip. This scalability changes the EM5 series from a pocketable to a Pro-like camera. The EM5 II is becoming one of the most exciting cameras in this lower price range. Take the time and search for a "like new" copy of the Olympus EM5 II. Also, see the Special Edition Titanium version.
The "best" M43 secondhand cameras below $400
I have been listening to YouTube videos discussing the Panasonic GH4 while searching for information. My journey of finding talented creators who continued using the GH4 was inspiring. Who would have thought any digital camera this "old" would continue to be such a popular creative tool.
I have been following the Panasonic Lumix GH4 for years and how the going rate dropped below $400. I recently saw one with a shutter count of less than 500 in mint condition. The starting price was $350, and the closing price reached $420. The Panasonic Lumix GH5 is fast becoming the next exciting contender below the $600 price point. Many Pro videographers grew up with these cameras...
Panasonic Lumix GH4 Hybrid Camera. I have seen them selling in the below $300 range...
Here are some of the Lumix GH4's unique features:-
The GH4 is a hybrid M43 mirrorless camera with video and photography functions
The GH4 has a high-sensitivity 16MP sensor with excellent IQ and little noise
The GH4 has been the camera that accompanied many successful Pro filmmakers
There are quality Gimbals available at low prices that are compatible with the GH4
There is a large secondhand and cost-effective availability of GH4 options and gear
The internet is packed with great information, advice, and training for the GH4
The GH4 still offers many more advanced video features than many newer cameras
The GH4 is an excellent hybrid in combination with the 12-35mm & 35-100mm f2.8
One can add a Panasonic V-LOG option for $100 and many more options on the web
The GH4 is the perfect camera for learning and mastering your video editing skills
The GH4 is the only +6-year-old camera with so many advanced video functions
One will find almost any information one can think of about the GH4 on the web
Believe it or not, the GH4 has a 4K 10Bit 4:2:2 output for an external recorder...
The GH4 has several advanced motion options that are great for learning video...
It's a pleasure to listen to someone with good commonsense and experience.
The most interesting secondhand M43 cameras below $600
The SE Titanium EM5 II, EM1 II, and the Panasonic Lumix G9. The EM5 III is slowly replacing the MKII in this price range.
Those familiar with secondhand pricing know the selection at this price point is almost unlimited. The above image shows an Olympus EM5 II, the EM1 II, and a Panasonic Lumix G9. These and many other configurations are generally in good condition with a favorable supply/demand ratio. My local experience has been positive. One should always negotiate, ask questions, and collect when possible. The key is to adapt to your local conditions and safeguard your product purchases.
Many paid forum "experts" and reviewers like you believe Olympus uses the same 16MP sensor in the OMD and the Pen series. I doubt that because the original EM1 has a 16MP sensor with both phase and contrast autofocusing. The EM10 series has phase detection autofocusing. Having spent much time with cameras like the EM10 II/III and the EM5 II, it became clear that they have a more sensitive 16MP sensor with a smaller noise floor. These "newer" 16MP sensors are very capable...
Olympus EM5 II with Zuiko 17mm f1.8 lens - ISO200, f5.6, 1/1000 - Enhanced Raw file converted in Workspace.
It's also important to know that image quality is the sum of the image sensor, lens quality, and image processor. That's why you will find that Olympus always focussed on these 3 areas when developing new cameras and lenses. It helps to completely ignore reviewers and forum "experts." Take the time and study Olympus Press Releases and the User Manuals of the camera you like to get...
The Olympus EM5 II prices were already low in 2021, and now they are selling for less than $300. The only thing you need to carefully inspect with EM5 II cameras is the condition of the paintwork. This is the only OM-D camera I know with this aesthetic weakness. The paint simply rubs off when used daily and looks terrible or more rugged when the camera gets older. If you care about the visual "condition" of your camera gear, ask before you make a final offer on a used Olympus E-M5 II.
Olympus EM5 II with Zuiko 17mm f1.8 lens - ISO100, f7.1, 1/200 - Enhanced Raw file concerted in Workspace
On the other hand, the Olympus EM5 II is the only $250 mirrorless camera capable of going on a photo walk with the Fuji XT-5. What a crazy statement, right? Well, take a moment to think about it. The Olympus EM5 II has a 40MP high-resolution function, advanced OMD creative features like the Color Creator, and many more computational features. Would you spot the difference between two A3 prints hanging from the wall? One from the $1800 XT5 and the other from a $250 EM5 II.
A mild sample of "normal" EM5 II wear and tear...
Let's discuss some of the best secondhand M43 lenses...
My 3 most favorite compact lenses from Olympus
The 3 compact lenses below were my first M43 upgrade. I never expected to enjoy them that much with all the counter-marketing on social media. After spending time with them, they quickly became my all-time favorites. I seldom buy new camera gear because I always search for good deals. I also sell the parts I don't use. I bought several copies of these lenses in packaged deals. I always tested them before selling them and NEVER had a bad copy or an underperformer among them.
These 3 compact lenses typically sell between $160 and $260:-
The 45mm f1.8 is an excellent lens. They are good portrait, product, and general lenses.
The 25mm f1.8 is an interesting "nifty fifty" lens. They work for filming and photography.
The 17mm f1.8 lens is my everyday multi-purpose lens. It's small, lightweight, with top IQ.
The Olympus ZUIKO 25mm f1.8, the 17mm f1.8, and the 45mm f1.8 lenses.
Depending on your budget and your personal needs, here are 3 more great compacts:
The Zuiko 75mm f1.8 - is probably one of the best Olympus compact lenses
The Zuiko 12mm f2.0 - is a fantastic 24mm wide-angle for video and landscapes
The Leica 25mm f1.4 - less expensive, 0.5EV stop faster, cost less than f1.2 lenses
These Olympus Zuiko lenses are a joy in low-light applications with their faster f1.8 apertures. The image quality of these compacts equals many Pro Zuiko Zoom lenses, especially the 75mm f1.8 or 60mm f2.8 macro. They are also excellent travel lenses. These lenses are obviously very competitive and the reason for the ongoing astroturfing (counter-marketing) on forums and social media.
Olympus EM5 II with 12-50mm f3.5-6.3 EZ lens - ISO800, f7.1, 1/125 - Enhanced Raw file converted in WS plus Grain Film ART filter.
What about Olympus M43 lenses and lens diffraction?
Lens diffraction is a known optical characteristic of all lenses with an aperture mechanism. The effect of lens diffraction is less image sharpness. One of the goals of designing lenses is a clean image signal path to the sensor, and a significant benefit of mirrorless cameras is the shorter image signal path from the lens to the sensor. The smaller M43 sensor size also benefits the optical optimization of the image signal path and the pixel entry angle across the sensor. See this article.
Olympus and Panasonic invested years in developing a good range of ZUIKO and Lumix M43 lenses. As you know, Panasonic also worked with Leica to strengthen the Lumix brand. The Zuiko, Leica, and Lumix brands became a competitive and reputable range of M43 lenses. Would these manufacturers risk getting a bad reputation from weak lens design or manufacturing standards?
Olympus E3 with 50mm f2.0 Lens - Raw edited in PhotoLab 4 and prepped for the web in Photoshop.
Full-frame promoters use valid arguments for creamy backgrounds and isolating subjects. They also need to give all the information. One should always think, what would the equivalent benefit be for crop sensor cameras? The solution is to simply consider the opposite of what they promote. In this example, the opposite of creamy backgrounds is a wider DOF or sharper landscape photos.
Why would they like M43 photographers to believe that lens diffraction is unique to M43 lenses? Why argue about an acceptable aperture range of F5.6 to F11? The answer is in the popular equivalence argument promoters are pushing. For example, the equivalent of F8 on M43 cameras is F16 on FF cameras. This means full-frame photographers will see the effects of lens diffraction long before M43 photographers. "Promotors" simply hide information to benefit commercially. It should now be clear why some promote the idea that M43 photographers should stay below f5.6...
Fuji XT-5 with 18-55mm f2.8-f4.0 lens - ISO250, f6.4, 1/320 - Jpeg slightly edited in Photoshop.
Also, see this example of an M43 photographer challenging the diffraction argument. It's an example of taking a practical approach and not accepting everything full-frame promoters say...
Source - (The use of "Expert" opinions is marketing 101)
The above review of the Lumix 25mm f1.7 is an example of reviewers creating a problem that does not exist. The reviewer likes readers to think lens diffraction has nothing to do with lens design because it's simply linked to "equivalence." Even worse is knowing that M43 photographers NEVER complained about lens softening at an aperture of f8.0 or reported any lens diffraction cases.
This example explains the distrust between M43 photographers and social media promoters spreading false information. It illustrates the power of repetition and misinformation and how it re-engineers our values, beliefs, and knowledge. Many photographers accept misinformation and repeat the rumors themselves. The general awareness of modern marketing techniques should improve.
The Multi-Purpose Zuiko 12-50mm, f3.5-6.3 EZ lens selling for less than $120
Allow me to introduce one of the most exciting lenses from Olympus. It took promoters literally moments to launch an aggressive counter-marketing campaign to discredit this lens. Following were a fake grassroots uprise plus social media complaints. The new Zuiko 12-50mm kit lens became one of the most underrated M43 lenses between 2010 and 2020. It reminds me of the Pen F...
I was also distracted by the negativity that spread fast on forums, product reviews, and social media. My Zuiko 12-50mm moved out of sight and became neglected for years. I recently decided to start using it again. Rediscovering the Zuiko 12-50mm is an exciting and learning experience...
Here are a few additional comments about the Zuiko 12-50mm lens:-
The lens has a 12-50mm (24-100mm FF equivalent) zoom range
It's great for landscape photography, portraits, and medium telephoto
This is a good lens for filming projects with its electrical zoom control
The Olympus MSC (Movie & Still Compatible) technology is included
The new linear focussing motor results in fast & quiet focusing speeds
It offers different electrical zoom speeds to facilitate video simulations
Dust and splash protection make this lens an even more durable option
In macro mode, it will focus as close as 20mm with 0.72x magnification
Add a multiplier to the front and be ready for a great macro experience
This lens is sharp from 12 to 50mm, f3.5 and up, and corner-to-corner
The only downside is the lens is relatively slow and requires good light
This is the only kit lens with this build and level of quality glass elements
A clear illustration of why Olympus became known as an innovative brand
The really interesting 40-150mm (80-300mm) zoom lens
The Olympus 40-150mm f4-5.6 lens.
This is one of the best secondhand bargains when finding one. Most of the time, they sell for less than $40. The 14-54mm f2.8 to f3.5 and 50-200mm f2.8 to f3.5 Four Third lenses are also great bargains. For example, the older 50 to 200mm MKI version offers a special character with unique backgrounds. If you need a faster budget zoom lens, try the older Four Thirds 40-150mm f3.5-4.5. You need an adapter for these 4/3rds lenses. Older 4/3rds lenses are bargains, even with a converter.
My son is a Pro Photographer. I had absolutely nothing to do with that...
I purposely present secondhand cameras and lenses positively so readers can see the difference between actual user experience versus counter-marketing on large photography forums. The fact is, a majority of photographers will never grow to the point of pushing any M43 lens to its limit. Take time to understand what you need before getting your dream lens. Practice good camera techniques, learn to edit your images, and you will be geared for a great experience.
The sailing community has created some of the most fascinating documentaries.
5. Conclusion
I did not discuss any PRO series M43 Lenses. The reason is that apart from a few Pro lenses, I have limited experience with them. What kept me from buying more Pro lenses was the size and weight of these lenses. My best Pro lens is the Zuiko 12-40mm f2.8 PRO. Why did I keep the Lumix 12-35mm f2.8 in my bag? It's not optically as good as the Zuiko 12-40mm Pro lens, but it's smaller and weighs less. I did buy a used Zuiko 12-45mm f4 Pro lens and love it. That means the Lumix should go...
Used Zuiko Pro lenses are also more affordable. For example, OM-System did us a huge favor with the weather sealing and rebranding of the Zuiko 12-40mm f2.8 and 40-150mm f2.8 lenses. This allowed me to buy the Olympus 40-150mm f2.8 Pro and the 7-14mm f2.8 Pro lens at bargain prices. Why is the Zuiko 7-14mm f2.8 more affordable? Same thing, the 8-25mm f4 Pro lens helps us...
Olympus EM1 II with the Zuiko 12-40mm f2.8 Pro lens - ISO400, f7.1, 1/400 - Enhanced Raw file converted in Workspace.
We should also discuss the Olympus Zuiko 9-18mm f4 and Lumix 7-14mm f4 ultra-wide lenses. Social media "experts" like to remind us that these 2 lenses are known for having weaknesses. For example, they won't say ALL ultra-wide angle lenses have lens flair issues when pointed at the sun. I had both and regard them as great lenses. In fact, I kept my 9-18mm and use it regularly.
Why didn't I say anything about my Olympus Pen F? Many Pen F enthusiasts will agree it deserves a separate article. Another reason is the Pen F is selling at surprisingly high prices in good condition. Look for a used Pen EP-7 if you like a great Pen F alternative. They are selling at the $600 and higher price range. I expect the EP-7 to become more expensive when they are discontinued...
It's important to mention the excellent Panasonic 8mm fisheye or longer zoom lenses like the Zuiko 70-300mm or the Zuiko 12-200mm f3.5 to f6.3. These are great lenses and will please any creative photographer. Folks, there are many more great M43 cameras and lenses to discuss...
Olympus E3 with 50-200mm f2.8-3.5 - ISO160, 1/1600, f3.5
Several images in this article were taken in South Africa with my older Olympus E-3. All Olympus cameras are capable of producing edit-friendly images. Whether it is an older E-1, E-3, or EM1 II, no other camera brand has this unique ability to capture edit-friendly RAW and JPEG files.
Let's close this article with a final positive thought about why people collect secondhand M43 cameras and lenses. Some M43 photographers also get a little emotional about their M43 cameras. Innovation and a good balance between quality and cost resulted in Olympus having a loyal customer base. There are many more reasons why Olympus photographers are eager to discover more...
What would your counter-marketing program look like if you sold DSLRs and recognized a new format that could quickly be tomorrow's trend?
